Pharaoh Akhenaten and his family adoring the Aten, second from the left is Meritaten who was the daughter of Akhenaten.

quarta-feira, 20 de junho de 2012

Sacerdotes ou Astronautas? (¿Sacerdotes o Cosmonautas?)




























































































Info On Andreas Faber-Kaiser (in spanish...):

Andreas Faber-Kaiser (Barcelona, 5 de abril de 1944 - ibídem, 14 de marzo de 1994) fue un ufólogo y escritor germano-español especializado en la investigación de los aspectos misteriosos y ocultos de nuestra historia, sobre todo en la relación existente de los dioses de la antigüedad con los actuales ovnis, habiendo participado como ponente en numerosos congresos internacionales dedicados a este tipo de temáticas, tanto en Europa como en América.

Biografía

Nació en Barcelona el 5 de abril de 1944, se licenció en Filosofía y letras, obteniendo en 1972 el Premio Nacional de Astronáutica «Julio Marial» por su estudio Repercusión de la astronáutica en la vida del hombre. En 1976 fundó la revista Mundo Desconocido[1] en colaboración con el también desaparecido periodista e investigador argentino Alejandro Vignati, considerada en su momento a nivel mundial como una de las tres primeras publicaciones en su género, y galardonada en 1980 con el premio «Secinter» a la mejor revista especializada. Dejó de publicarse en noviembre de 1982, si bién siguió operando desde entonces como red de investigación internacional, financiando diversos estudios. En verano de 1988 presentó en Catalunya Ràdio el programa ¿Què volen aquesta gent?[2] (¿Que quiere esta gente?), un programa dedicado al mundo de los ovnis. Desde su fundación en 1989 y hasta mayo de 1992 fue Consejero Editorial y Coordinador Internacional de la revista Más Allá de la Ciencia, revista publicada por MC Ediciones y dedicada al mundo del misterio, del esoterismo y la ufología, asimismo también fue Consejero Editorial de JC Ediciones S.A. De 1988 a 1994 dirigió y presentó en Catalunya Ràdio el programa Sintonia Alfa,[2] espacio centrado en temas ufológicos y misteriosos, alternándolo con el programa especial Arxiu Secret[2] (Archivo Secreto).

En agosto de 1992 abrió como primer ponente el Curso Especializado en Extensión Cultural : “Grandes Enigmas: Los Ovnis”, organizado por la Universidad Complutense de Madrid dentro de sus Cursos de Verano y dirigido por J. J. Benítez, constituyendo el primer curso de ufología celebrado en una universidad española.

Sus viajes de investigación le llevaron a buena parte de Europa, Asia, América y Oceanía, consecuencia de ellos son la publicación de algunos de sus libros, como el pólemico Jesús vivió y murió en Cachemira (1976). Un libro donde exponía la posibilidad de que Jesús de Nazaret no hubiera muerto en la cruz, sino que una vez curado de sus graves heridas causadas durante la crucifixión huyera hacia el este en busca de las tribus perdidas de Israel y una vez en Cachemira hubiera comenzado una nueva vida muriendo a un edad muy avanzada de muerte natural.

No menos controvertido fue su libro Pacto de silencio (1988), un libro sobre el Síndrome tóxico, una enfermedad aparecida en 1981 y causada oficialmente por el consumo de aceite de colza desnaturalizado[n. 1] ,consecuencia del fraude alimenticio realizado por unos comerciantes aceiteros, que lo distribuían en venta ambulante como aceite de oliva[n. 2] ,causando 1.100 muertos[n. 3] y más de 60.000 afectados. En este libro intenta demostrar que la causa del Síndrome tóxico no fue el aceite de colza, que era totalmente inocuo, sino la ingesta de tomates tratados con una combinación nematicida organotiofosforada (pesticidas), concretamente con Nemacur® (fenamiphos) y Oftanol® (isofenphos) de la multinacional Bayer, en un ensayo de guerra química pepetrado seguramente por el gobierno de los Estados Unidos.

En su último artículo, publicado en el número 56 (octubre de 1993) de la revista Más Allá de la Ciencia, bajo el título de "Confesiones de Andreas Faber-Kaiser entre la vida y la muerte", reconoció que era portador del virus del sida, sin poderse explicar cómo había podido introducirse en el interior de su cuerpo, y relacionándolo con sus investigaciones sobre el Síndrome tóxico, ya que tanto él como otros investigadores y médicos que intentaron avanzar realmente en el origen de esta extraña dolencia murieron o padecerieron súbitas y extrañas enfermedades.[3]

Andreas Faber-Kaiser murió de sida en el hospital barcelonés de Can Ruti (Hospital Universitario Germans Trias i Pujol) el 14 de marzo de 1994 a los 49 años de edad.

Obras

¿Sacerdotes o cosmonautas? (1971)
Cosmos-Cronología general de la Astronáutica (1972)
Grandes enigmas del Cielo y de la Tierra (1973)
Jesús Vivió y murió en Cachemira (1976)
OVNIs: el archivo de la CIA - Documentación y memorandos (1980)
OVNIs: el archivo de la CIA - Informes de avistamientos (1980)
OVNIs: archivos americanos - Documentos militares y de inteligencia (1980)
La caverna de los tesoros (1984)
Las nubes del engaño [Crónica extrahumana antigua] (1984)
Fuera de control [Crónica extrahumana moderna] (1984)
Sobre el secreto [La isla mágica de Pohnpei y el secreto de Nan Matol] (1985)
Pacto de silencio (1988)
El muñeco humano (1989)

Extracts Source: http://es.wikipedia.org/wiki/Andreas_Faber-Kaiser
 
More Info: http://andreas.faber.cat/ - http://www.bibliotecapleyades.net/vida_alien/revelacion_cosmos/faber.htm - http://es.wikipedia.org/wiki/Extraterrestre - http://www.sebodomessias.com.br/sebo/(S(qvphj4452z20nmz4ym1foh45))/detalheproduto.aspx?idItem=338644
 
 
 

No Rasto de... Os Astronautas do Passado (The Stairway to Heaven)




































































Info On Zecharia Sitchin:

Zecharia Sitchin (July 11, 1920 – October 9, 2010[1]) was an Azerbaijani-born American author of books proposing an explanation for human origins involving ancient astronauts. Sitchin attributes the creation of the ancient Sumerian culture to the Anunnaki, which he states was a race of extra-terrestrials from a planet beyond Neptune called Nibiru. He believed this hypothetical planet of Nibiru to be in an elongated, elliptical orbit in the Earth's own Solar System, asserting that Sumerian mythology reflects this view. Sitchin's books have sold millions of copies worldwide and have been translated into more than 25 languages.

Sitchin's ideas were rejected by scientists and academics, who dismiss his work as pseudoscience and pseudohistory. Sitchin's work has been criticized for flawed methodology and mistranslations of ancient texts as well as for incorrect astronomical and scientific claims.[2]

Ideas and works

Similarly to earlier authors such as Immanuel Velikovsky and Erich von Däniken, Sitchin advocated hypotheses in which extraterrestrial events supposedly played a significant role in ancient human history.

According to Sitchin's interpretation of Mesopotamian iconography and symbology, outlined in his 1976 book The 12th Planet and its sequels, there is an undiscovered planet beyond Neptune that follows a long, elliptical orbit, reaching the inner solar system roughly every 3,600 years. This planet is called Nibiru (although Jupiter was the planet associated with the god Marduk in Babylonian cosmology).[5] According to Sitchin, Nibiru (whose name was replaced with MARDUK in original legends by the Babylonian ruler of the same name in an attempt to co-opt the creation for himself, leading to some confusion among readers) collided catastrophically with Tiamat (a goddess in the Babylonian creation myth the Enûma Eliš), which he considers to be another planet once located between Mars and Jupiter. This collision supposedly formed the planet Earth, the asteroid belt, and the comets. Sitchin states that when struck by one of planet Nibiru's moons, Tiamat split in two, and then on a second pass Nibiru itself struck the broken fragments and one half of Tiamat became the asteroid belt. The second half, struck again by one of Nibiru's moons, was pushed into a new orbit and became today's planet Earth.

According to Sitchin, Nibiru (called "the twelfth planet" because, Sitchin claimed, the Sumerians' gods-given conception of the Solar System counted all eight planets, plus Pluto, the Sun and the Moon) was the home of a technologically advanced human-like extraterrestrial race called the Anunnaki in Sumerian myth, who Sitchin states are called the Nephilim in Genesis. He wrote that they evolved after Nibiru entered the solar system and first arrived on Earth probably 450,000 years ago, looking for minerals, especially gold, which they found and mined in Africa. Sitchin states that these "gods" were the rank-and-file workers of the colonial expedition to Earth from planet Nibiru.

Sitchin wrote that Enki suggested that to relieve the Anunnaki, who had mutinied over their dissatisfaction with their working conditions, that primitive workers (Homo sapiens) be created by genetic engineering as slaves to replace them in the gold mines by crossing extraterrestrial genes with those of Homo erectus.[6][7] According to Sitchin, ancient inscriptions report that the human civilization in Sumer, Mesopotamia, was set up under the guidance of these "gods", and human kingship was inaugurated to provide intermediaries between mankind and the Anunnaki (creating the "divine right of kings" doctrine). Sitchin believes that fallout from nuclear weapons, used during a war between factions of the extraterrestrials, is the "evil wind" described in the Lament for Ur that destroyed Ur around 2000 BC. Sitchin states the exact year is 2024 BC.[8] Sitchin says that his research coincides with many biblical texts, and that biblical texts come originally from Sumerian writings.

Popularity

Since the release of his first book The 12th Planet in 1976, now in its 45th printing, Zecharia Sitchin has written seven other books as part of his Earth Chronicles series, as well as six other companion books, all of which are still in print as of 2010[update]. Sitchin's books have sold millions of copies worldwide and been published in more than 25 languages, as well as in braille.[9] New York Times reporter Corey Kilgannon noted that despite academic dismissal of his work, Sitchin has "a devoted following of readers".[3]

Critic Michael Heiser called Sitchin "arguably the most important proponent of the ancient astronaut hypothesis over the last several decades".[10] Sitchin was a frequent guest on the Coast to Coast AM radio show, which in 2010 presented Sitchin with a lifetime achievement award.[11] Gods of the New Millennium author Alan F. Alford admits he initially became "infatuated" with Sitchin's hypotheses but later became a critic of Sitchin's interpretations of myth.[12]

According to some writers, Sitchin's ideas along with those of Erich von Däniken may have influenced the beliefs of the religious sect of Raëlism,[13][14] and writer Mark Pilkington sees the mythology of Japan's Pana Wave religious group as rooted in Sitchins The 12th Planet and its sequels.[15]

The 1994 movie Stargate, directed by Roland Emmerich, and the 2009 video game The Conduit drew some conceptual inspiration from Sitchin's ideas,[16][17] while screenwriter Roberto Orci says the villains of the film Cowboys & Aliens were inspired by Sitchin's conceptualization of the Anunnaki as gold-mining aliens.[18]

Criticisms

Criticism of Sitchin's work falls primarily into three categories: translations and interpretations of ancient texts; astronomical and scientific observations; and literalism of myth.

Translations and interpretations

When Sitchin wrote his books, only specialists could read the Sumerian language. However, sources such as the 2006 book Sumerian Lexicon[19] have made the language more accessible to non-experts. Ancient language scholar Michael S. Heiser[20] states he has found many inaccuracies in Sitchin's translations and challenges interested parties to use this book to check their validity.[15][21] Prof. Ronald H. Fritze,[22] author of the book Invented Knowledge: False History, Fake Science and Pseudo-religions,[22] mentions the example of Sitchin's claim that the Sumerian sign Din-Gir means "pure ones of the blazing rockets", adding that "Sitchin's assignment of meanings to ancient words is tendentious and frequently strained."[23] Fritze also commented on Sitchin's methodology, writing that "When critics have checked Sitchin's references, they have found that he frequently quotes out of context or truncates his quotes in a way that distorts evidence in order to prove his contentions. Evidence is presented selectively and contradictory evidence is ignored."[23]

Sitchin bases his arguments on his personal interpretations of pre-Nubian and Sumerian texts, and the seal VA 243. Sitchin wrote that these ancient civilizations knew of a twelfth planet, when in fact they only knew five.[24] Hundreds of Sumerian astronomical seals and calendars have been decoded and recorded, and the total count of planets on each seal has been five. Seal VA 243 has 12 dots that Sitchin identifies as planets. When translated, seal VA 243 reads "You're his Servant" which is now thought to be a message from a nobleman to a servant. According to semitologist Michael S. Heiser, the so-called sun on Seal VA 243 is not the Sumerian symbol for the sun but is a star, and the dots are also stars.[24][25] The symbol on seal VA 243 has no resemblance to the hundreds of documented Sumerian sun symbols.

In a 1979 review of The Twelfth Planet, Roger W. Wescott,[26] Prof. of Anthropology and Linguistics at Drew University, Madison, New Jersey, noted Sitchin's amateurishness with respect to the primacy of the Sumerian language:

Sitchin's linguistics seems at least as amateurish as his anthropology, biology, and astronomy. On p. 370, for example, he maintains that "all the ancient languages . . . including early Chinese . . . stemmed from one primeval source -- Sumerian". Sumerian, of course, is the virtual archetype of what linguistic taxonomists call a language-isolate, meaning a language that does not fall into any of the well-known language-families or exhibit clear cognation with any known language. Even if Sitchin is referring to written rather than to spoken language, it is unlikely that his contention can be persuasively defended, since Sumerian ideograms were preceded by the Azilian and Tartarian signaries of Europe as well as by a variety of script-like notational systems between the Nile and Indus rivers.[27]

Astronomical and scientific observations

Sitchin's "planetary collision" view does superficially resemble a theory by modern astronomers—the giant impact theory of the Moon's formation about 4.5 billion years ago by a body impacting with the newly-formed Earth. However, Sitchin's proposed series of rogue planetary collisions differ in both details and timing. As with Immanuel Velikovsky's earlier Worlds in Collision thesis, Sitchin states that he has found evidence of ancient human knowledge of rogue celestial motions in a variety of mythological accounts. In Velikovsky's case, these interplanetary collisions were supposed to have taken place within the span of human existence, whereas for Sitchin these occurred during the early stages of planetary formation, but entered the mythological account passed down via the alien race which purportedly evolved on Nibiru after these encounters.

While Sitchin's scenario for the creation of the Solar System is hard to reconcile with the Earth's current small orbital eccentricity of only 0.0167, Sitchin's supporters maintain that it would explain much of Earth's peculiar early geography due to cleaving from the celestial collision, i.e., solid continents on one side and a giant ocean on the other.[citation needed]

According to former Immanuel Velikovsky assistant turned prolific critic,[28] C. Leroy Ellenberger,[28] "[Sitchin states that] from an equal start, the Nefilim evolved on Nibiru 45 million years ahead of comparable development on Earth with its decidedly more favorable environment. Such an outcome is unlikely, to say the least, since Nibiru would spend over 99% of its time beyond Pluto. Sitchin's explanation that heat from radioactive decay and a thick atmosphere keep Nibiru warm is absurd and does not address the problem of darkness in deep space. Also unexplained is how the Nefilim, who evolved long after Nibiru arrived, knew what happened when Nibiru first entered the solar system."[29]

The scenario outlined by Sitchin, with Nibiru returning to the inner solar system regularly every 3,600 years,

. . . implies an orbit with a semi-major axis of 235 astronomical units, extending from the asteroid belt to twelve times farther beyond the sun than Pluto. Elementary perturbation theory indicates that, under the most favorable circumstances of avoiding close encounters with other planets, no body with such an eccentric orbit would keep the same period for two consecutive passages. Within twelve orbits the object would be either ejected or converted to a short period object. Thus, the failed search for a trans-Plutonian planet by T.C. Van Flandern, of the U.S. Naval Observatory, which Sitchin uses to bolster his thesis, is no support at all.[29]

Sitchin in “the case of Adam’s alien genes”[30] states that 223 unique genes found by the Human Genome Sequencing Consortium are without the required predecessors on the genomic evolutionary tree. Later researchers have argued that the conclusion from the Human Genome Sequencing Consortium cannot be drawn due to a lack of a comprehensive gene database for comparison. An analysis by Salzberg identified 40 potential genes laterally transferred into the genome from prokaryotic organisms. Salzberg also argues that gene loss combined with sample size effects and evolutionary rate variation provide an alternative, more biologically plausible explanation.[31]

Literalism of myth

Peter James, co-author of the controversial book Centuries of Darkness,[32] has criticized Sitchin both for ignoring the world outside of Mesopotamia and more specifically for misunderstanding Babylonian literature:

He uses the Epic of Creation Enuma Elish as the foundation for his cosmogony, identifying the young god Marduk, who overthrows the older regime of gods and creates the Earth, as the unknown "Twelfth Planet". In order to do as he interprets the Babylonian theogony as a factual account of the birth of the other "eleven" planets. The Babylonian names for the planets are established beyond a shadow of a doubt—Ishtar was the deity of Venus, Nergal of Mars, and Marduk of Jupiter—and confirmed by hundreds of astronomical/astrological tables and treatises on clay tablets and papyri from the Hellenistic period. Sitchin merrily ignores all this and assigns unwarranted planetary identities to the gods mentioned in the theogony. For example, Apsu, attested as god of the primeval waters, becomes, of all things, the Sun! Ea, as it suits Sitchin, is sometimes planet Neptune and sometimes a spaceman. And the identity of Ishtar as the planet Venus, a central feature of Mesopotamian religion, is nowhere mentioned in the book—instead Sitchin arbitrarily assigns to Venus another deity from Enuma Elish, and reserves Ishtar for a role as a female astronaut.[33]

William Irwin Thompson comments on what he calls Sitchin's 'literalism':

What Sitchin sees is what he needs for his hypothesis. So figure 15 on page 40 is radiation therapy, and figure 71 on page 136 is a god inside a rocket-shaped chamber. If these are gods, why are they stuck with our cheap B movie technology of rockets, microphones, space-suits, and radiation therapy? If they are gods, then why can't they have some really divine technology such as intradimensional worm-hole travel, antigravity, starlight propulsion, or black hole bounce rematerializations? Sitchin has constructed what appears to be a convincing argument, but when he gets close to single images on ancient tablets, he falls back into the literalism of "Here is an image of the gods in rockets." Suddenly, ancient Sumer is made to look like the movie set for Destination Moon. Erich Von Däniken's potboiler Chariots of the Gods? has the same problem. The plain of Nazca in Peru is turned into a World War II landing strip. The gods can cross galactic distances, but by the time they get to Peru, their spaceships are imagined as World War II prop jobs that need an enormous landing strip. This literalization of the imagination doesn't make any sense, but every time it doesn't, you hear Sitchin say "There can be no doubt, but..."[34]

Extracts Source: http://en.wikipedia.org/wiki/Zecharia_Sitchin

More Info: http://www.sitchin.com/ - http://www.sitchiniswrong.com/ - http://en.wikipedia.org/wiki/Extraterrestrial_hypothesis - http://en.wikipedia.org/wiki/Mesopotamian_mythology - http://en.wikipedia.org/wiki/Sumerian_literature



quarta-feira, 6 de junho de 2012

Registros concretos de ETs NO PASSADO (ufo especial nº 60)






























































General Info About The Ancient Astronauts Theory:

Some writers have proposed that intelligent extraterrestrial beings have visited Earth in antiquity or prehistory and made contact with humans. Such visitors are called ancient astronauts or ancient aliens. Proponents suggest that this contact influenced the development of human cultures, technologies and religions. A common variant of the idea is that deities from most, if not all, religions are actually extraterrestrials, and their advanced technologies were wrongly understood by primitive men as evidence of their divine status.[1][2]

These proposals have been popularized, particularly in the latter half of the 20th century, by writers such as Erich von Däniken, Giorgio A. Tsoukalos, Zecharia Sitchin, Robert K. G. Temple, David Icke and Peter Kolosimo,[3] but the idea that ancient astronauts actually existed is not taken seriously by most academics, and has received little or no credible attention in peer reviewed studies.[4] Ancient astronauts have been widely used as a plot device in science fiction.

Contents

1 Overview
2 Notable writers and publications
2.1 Erich von Däniken
2.2 Zecharia Sitchin
2.3 Robert Temple
2.4 Shklovski and Sagan
2.5 UFO religions
3 Evidence cited by proponents
3.1 Ancient religious texts
3.1.1 Ramayana
3.1.2 Book of Genesis and Book of Enoch
3.1.3 Book of Ezekiel
3.1.4 Elsewhere in the Bible
3.2 Ancient artwork
3.2.1 Nazca Lines
3.3 Ancient artifacts
3.4 Megalithic sites
3.5 Religious and cultural practises
4 Reception
5 Popular culture
6 Proponents
7 See also
8 Notes
9 References
10 Further reading
11 External links

Overview

Proponents of ancient astronaut theories often maintain that humans are either descendants or creations of extraterrestrial beings who landed on Earth thousands of years ago. An associated idea is that much of human knowledge, religion, and culture came from extraterrestrial visitors in ancient times, in that ancient astronauts acted as a "mother culture". Ancient astronaut proponents also believe that travelers from outer space known as "astronauts" or "spacemen" built many of the structures on earth such as the pyramids in Egypt and the Moai stone heads of Easter Island or aided humans in building them.[5][6]

Proponents argue that the evidence for ancient astronauts comes from supposed gaps in historical and archaeological records, and they also maintain that absent or incomplete explanations of historical or archaeological data point to the existence of ancient astronauts. The evidence is said to include archaeological artifacts that they argue are anachronistic or beyond the presumed technical capabilities of the historical cultures with which they are associated (sometimes referred to as "Out-of-place artifacts"); and artwork and legends which are interpreted as depicting extraterrestrial contact or technologies.

Certain mainstream academics have responded that gaps in contemporary knowledge of the past need not demonstrate that such speculative ancient astronaut ideas are a necessary conclusion to draw.[7] Francis Crick, the co-discoverer of the double helix structure of DNA, however strongly believed in what he called panspermia, the concept that earth was 'seeded' with life, probably in the form of bluegreen algae, by intelligent extraterrestrial species, for the purpose of ensuring life's continuity. He believed that this could have been done on any number of planets of this class, possibly using unmanned shuttles. He talks at length about this theory in his book Life Itself.[8]

Thomas Gold, a professor of astronomy, suggested a "garbage theory" for the origin of life, proposing that life on earth might have spread from a pile of waste products accidentally dumped on Earth long ago by extraterrestrials.[9]

The television series Ancient Aliens on the History channel features the main proponents in the ancient astronaut theory, and includes interviews with Giorgio A. Tsoukalos, David Childress, Erich von Däniken, Steven Greer and Nick Pope.[10]

Notable writers and publications

Paleocontact or "ancient astronaut" narratives first appear in early science fiction of the late 19th to early 20th century. The idea was proposed in earnest by Harold T. Wilkins (1954) and it received some consideration as a serious hypothesis during the 1960s, and has been mostly confined to the field of pseudoscience and pop culture since the 1970s. Ancient astronauts appear as a feature of UFO religions beginning with the Space opera in Scientology scripture (1967), followed by Raelism (1974).

Erich von Däniken

Erich von Däniken was a leading proponent of this theory in the late 1960s and early 1970s, gaining a large audience through the 1968 publication of his best-selling book Chariots of the Gods? and its sequels.

Certain artifacts and monumental constructions are claimed by von Däniken to have required a more sophisticated technological ability in their construction than that which was available to the ancient cultures who constructed them. Von Däniken maintains that these artifacts were constructed either directly by extraterrestrial visitors or by humans who learned the necessary knowledge from said visitors. These include Stonehenge, Pumapunku, the Moai of Easter Island, the Great Pyramid of Giza, and the ancient Baghdad electric batteries.

Von Däniken claims that ancient art and iconography throughout the world illustrates air and space vehicles, non-human but intelligent creatures, ancient astronauts, and artifacts of an anachronistically advanced technology. Von Däniken also claims that geographically separated historical cultures share artistic themes, which he argues imply a common origin. One such example is von Däniken's interpretation of the sarcophagus lid recovered from the tomb of the Classic-era Maya ruler of Palenque, Pacal the Great. Von Däniken claimed the design represented a seated astronaut, whereas the iconography and accompanying Maya text identifies it as a portrait of the ruler himself with the World Tree of Maya mythology.

The origins of many religions are interpreted by von Däniken as reactions to encounters with an alien race. According to his view, humans considered the technology of the aliens to be supernatural and the aliens themselves to be gods. Von Däniken claims that the oral and written traditions of most religions contain references to alien visitors in the way of descriptions of stars and vehicular objects travelling through air and space. One such is Ezekiel's revelation in the Old Testament, which Däniken interprets as a detailed description of a landing spacecraft.

Von Däniken's theories became popularized in the U.S. after the NBC-TV documentary In Search Of Ancient Astronauts hosted by Rod Serling and the movie Chariots of the Gods.

Critics argue that von Däniken misrepresented data, that many of his claims were unfounded, and that none of his core claims have been validated.[11]

Zecharia Sitchin

Zecharia Sitchin's series The Earth Chronicles, beginning with The 12th Planet, revolves around Sitchin's interpretation of ancient Sumerian and Middle Eastern texts, megalithic sites, and artifacts from around the world. He theorizes the gods of old Mesopotamia were actually astronauts from the planet "Nibiru", which Sitchin claims the Sumerians believed to be a remote "12th planet" (counting the Sun, Moon, and Pluto as planets) associated with the god Marduk. According to Sitchin, Nibiru continues to orbit our sun on a 3,600-year elongated orbit. Sitchin also suggests that the asteroid belt between Mars and Jupiter is the shattered remains of the ancient planet "Tiamat", which he claims was destroyed in one of Niburu's orbits through the solar system. Modern astronomy has found no evidence to support Sitchin's claims.

Sitchin claimed there are Sumerian texts which tell the story that 50 Anunnaki, inhabitants of a planet named Nibiru, came to Earth approximately 400,000 years ago with the intent of mining raw materials, especially gold, for transport back to Nibiru. With their small numbers they soon tired of the task and set out to genetically engineer laborers to work the mines. After much trial and error they eventually created homo sapiens sapiens: the "Adapa" (model man) or Adam of later mythology. Sitchin contended the Anunnaki were active in human affairs until their culture was destroyed by global catastrophes caused by the abrupt end of the last ice age some 12,000 years ago. Seeing that humans survived and all they had built was destroyed, the Anunnaki left Earth after giving humans the opportunity and means to govern themselves. Modern archaeologists and experts in the ancient Sumerian culture and language reject every one of these claims insisting Sitchin had simply invented a non-existent Sumerian mythology, that the texts and tablets which Sitchin described do not actually exist, and that the texts of ancient Sumer, Akkad, and Ugarit do not contain any of these stories or even variations on them.[12][13] It has also been pointed out that many of Sitchin's translations of Sumerian and Mesopotamian words are not consistent with Mesopotamian cuneiform bilingual dictionaries, produced by ancient Akkadian scribes.[14] The Faculty of Oriental Studies at the University of Oxford has made available an online searchable database with English translations of the entire body of Sumerian literature for comparison.[15]

Robert Temple

Robert K. G. Temple's 1976 book, The Sirius Mystery argues that the Dogon people of northwestern Mali preserved an account of extraterrestrial visitation from around 5,000 years ago. He quotes various lines of evidence, including supposed advanced astronomical knowledge inherited by the tribe, descriptions, and comparative belief systems with ancient civilizations such as ancient Egypt and Sumer. His work draws heavily on the studies of cultural anthropologists Marcel Griaule and Germaine Dieterlen.[16]

His conclusions have been criticized by scientists, who point out discrepancies within Temple's account, and suggested that the Dogon may have received some of their astronomical information recently, probably from European sources, and may have misrepresented Dogon ethnography.[17][18][19]

Shklovski and Sagan

In their 1966 book Intelligent Life in the Universe[20] astrophysicists I.S. Shklovski and Carl Sagan devote a chapter[21] to arguments that scientists and historians should seriously consider the possibility that extraterrestrial contact occurred during recorded history. However, Shklovski and Sagan stressed that these ideas were speculative and unproven.

Shklovski and Sagan argued that sub-lightspeed interstellar travel by extraterrestrial life was a certainty when considering technologies that were established or feasible in the late '60s;[22] that repeated instances of extraterrestrial visitation to Earth were plausible;[23] and that pre-scientific narratives can offer a potentially reliable means of describing contact with outsiders.[24] Additionally, Shklovski and Sagan cited tales of Oannes, a fishlike being attributed with teaching agriculture, mathematics, and the arts to early Sumerians, as deserving closer scrutiny as a possible instance of paleocontact due to its consistency and detail.[25]

In his 1979 book Broca's Brain, Sagan[26] suggested that he and Shklovski might have inspired the wave of '70s ancient astronaut books, expressing disapproval of "von Däniken and other uncritical writers" who seemingly built on these ideas not as guarded speculations but as "valid evidence of extraterrestrial contact." Sagan argued that while many legends, artifacts, and purported out-of-place artifacts were cited in support of ancient astronaut theories, "very few require more than passing mention" and could be easily explained with more conventional theories. Sagan also reiterated his earlier conclusion that extraterrestrial visits to Earth were possible but unproven, and perhaps improbable.

UFO religions

Various new religious movements including theosophy, Nation of Islam, Scientology, The Urantia Book, Raëlism, and Heaven's Gate believe in ancient and present-day contact with extraterrestrial intelligence. Many of these faiths see both ancient scriptures and recent revelations as connected with the action of aliens from other planetary systems. Sociologists and psychologists have found that UFO religions have similarities which suggest that members of these groups consciously or subliminally associate enchantment with the memes of science fiction.[27]

Evidence cited by proponents

Ancient religious texts

Proponents cite ancient mythologies to support their viewpoints based on the idea that ancient creation myths of gods who descend from the heavens to Earth to create or instruct humanity are actually representations of alien visitors, whose superior technology accounts for their reception as gods. Proponents attempt to draw an analogy to occurrences in modern times when isolated cultures are exposed to Western technology, such as when, in the early 20th century, "cargo cults" were discovered in the South Pacific: cultures who believed various Western ships and their cargo to be sent from the gods as fulfillment of prophecies concerning their return.[28]

Ramayana

In Hindu mythology, the gods and their avatars travel from place to place in flying vehicles (variously called "flying chariots", "flying cars" or Vimanas). There are many mentions of these flying machines in the Ramayana, which dates to the 5th or 4th century BCE. Below are some examples:

- From Book 6, Canto CXXIII: The Magic Car:[29]

Is not the wondrous chariot mine,

Named Pushpak, wrought by hands divine.



This chariot, kept with utmost care,

Will waft thee through the fields of air,

And thou shalt light unwearied down

In fair Ayodhyá's royal town.

- From Book 6, Canto CXXIV: The Departure:[29]

Swift through the air, as Ráma chose,

The wondrous car from earth arose.

And decked with swans and silver wings

Bore through the clouds its freight of kings.

Erich von Däniken discusses the Ramayana and the vimanas in Chariots of the Gods? chapter 6, suggesting that they were "space vehicles". To support his theory, he also offers a quotation which he says is from an 1889 translation of the Mahabharata by C. Roy: "Bhima flew with his Vimana on an enormous ray which was as brilliant as the sun and made a noise like the thunder of a storm".[30]

See also Vaimanika Shastra, a text on Vimanas supposedly "channeled" in the early 20th century.[31]

Book of Genesis and Book of Enoch

The Book of Genesis, chapter 6 verses 1–4, states:

When human beings began to increase in number on the earth and daughters were born to them, the sons of God saw that the daughters of humans were beautiful, and they married any of them they chose.

...

The Nephilim were on the earth in those days—and also afterward—when the sons of God went to the daughters of humans and had children by them.

— Genesis 6:1–4 (New International Version)

One interpretation is that the Nephilim are the children of the "sons of God" and "daughters of humans", although scholars are uncertain.[32] The King James Version replaces the term "Nephilim" with "giants".

The first part of the apocryphal Book of Enoch expands and interprets Genesis 6:1. It explains that the "sons of God" were a group of 200 "angels" called "Watchers". Against God's wishes, these Watchers descended to Earth to breed with humans. Their offspring are the Nephilim, "giants" who "consumed all the acquisitions of men". When humans could no longer sustain the Nephilim, they turned against humanity. The Watchers also instructed humans in metallurgy and metalworking, cosmetics, sorcery, astrology, astronomy and meteorology. God then ordered the Watchers to be imprisoned in the ground. He created the Great Flood to rid Earth of the Nephilim and of the humans who had been given knowledge by the Watchers. However, to ensure humanity's survival, Noah is forewarned of the oncoming destruction. Because they disobeyed God, the book also describes the Watchers as "fallen angels".[33]

Some ancient astronaut theorists believe that this story is a historical account of extraterrestrials visiting Earth. In their interpretation, the "angels" are extraterrestrials and were called Watchers because their mission was to observe humanity. Some of the extraterrestrials disobeyed orders; they made contact with humans, cross-bred with human females and shared knowledge with them. The Nephilim were thus half-human-half-extraterrestrial hybrids.[34]

Chuck Missler and Mark Eastman argue that modern UFOs carry the fallen angels, or offspring of fallen angels: the Nephilim of Genesis, who have now returned. They believe it was this interbreeding between the angels and humans that led to what they call "the gene pool problem." Noah was perfect in his "generations," that is "Noah's genealogy was not tarnished by the intrusion of fallen angels. It seems that this adulteration of the human gene pool was a major problem on the planet earth."[35]

Von Däniken also suggests that the two angels who visited Lot in Genesis 19 were not angels, but ancient astronauts. They may have used atomic weapons to destroy the city of Sodom. In any case, the otherworldly beings acted as if there was a time set for Sodom's destruction. Von Däniken questioned why God would work on a timetable and why an "infinitely good Father" would give "preference to 'favorite children,' such as Lot's family, over countless others."[36]

Marc Dem completely reinterprets Genesis by claiming humanity started on another planet and that the God of the Bible is an extraterrestrial.[37]

Book of Ezekiel

In the Biblical Old Testament, chapter 1 of the Book of Ezekiel recounts a vision in which Ezekiel sees "an immense cloud" that contains fire and emits lightning and "brilliant light". It continues: "The center of the fire looked like glowing metal, and in the fire was what looked like four living creatures". These creatures are described as winged and humanoid, they "sped back and forth like flashes of lightning" and "fire moved back and forth among the creatures". The passage goes on to describe four shiny objects, each appearing "like a wheel intersecting a wheel". These objects could fly and they moved with the creatures: "When the living creatures moved, the wheels beside them moved; and when the living creatures rose from the ground, the wheels also rose".[38]

In chapter 4 of Chariots of the Gods?, entitled "Was God an Astronaut?", von Däniken suggests that Ezekiel had seen a spaceship or spaceships; this hypothesis had been put forward by Morris Jessup in 1956[39] and by Arthur W. Orton in 1961.[40] A detailed version of this hypothesis was described by Josef F. Blumrich in his book The Spaceships of Ezekiel (1974).[41]

Elsewhere in the Bible

The characteristics of the Ark of the Covenant and the Urim and Thummim have been said to suggest high technology, perhaps from alien origins.[42]

Robert Dione and Paul Misraki published books in the 1960s claiming the events in the Bible were caused by alien technology.[43][44] Barry Downing, a Presbyterian minister wrote a book in 1968 claiming that Jesus was an extraterrestrial, citing (John 8: 23) and other biblical verses as evidence.[45]

Some ancient astronaut proponents such as Von Däniken and Barry Downing believe that the concept of hell in the Bible could be a real description of the planet Venus brought to earth by extraterrestrials showing photos of the hot surface on Venus to humans.[46]

Ancient artwork

Other artistic support for the ancient astronaut theory has been sought in Palaeolithic cave paintings. Wondjina in Australia and Val Camonica in Italy (seen above) are claimed to bear a resemblance to present day astronauts.[47] Supporters of the ancient astronaut theory sometimes claim that similarities such as dome shaped heads, interpreted as beings wearing space helmets, prove that early man was visited by an extraterrestrial race.[48]

More support of this theory draws upon what are claimed to be representations of flying saucers in medieval and renaissance art.[49] This is used to support the ancient astronaut theory by attempting to show that the creators of humanity return to check up on their creation throughout time.

Nazca Lines

The ancient Nazca Lines comprise hundreds of enormous ground drawings etched into the high desert landscape of Peru, which consist primarily of geometric shapes, but also include depictions of a variety of animals and at least one human figure. Many believers in ancient astronauts cite the Nazca lines as evidence because the figures created by the lines are most clearly depicted or only able to be seen when viewed from the air. Writing professor Joe Nickell of the University of Kentucky, using only technology he believed to be available to people of the time, was able to recreate one of the larger figures with a reasonable degree of accuracy.[50]

Ancient artifacts

Alleged physical evidence includes the discovery of artifacts in Egypt (the Saqqara Bird) and Colombia-Ecuador, which are claimed to be similar to modern planes and gliders,[51] although these have been interpreted by archaeologists as stylized representations of birds and insects.

Megalithic sites

Evidence for ancient astronauts is claimed to include the existence of ancient monuments and megalithic ruins such as the Giza pyramids of Egypt, Machu Picchu in Peru, or Baalbek in Lebanon, the Moai of Easter Island and Stonehenge of England.[52] Supporters contend these stone structures could not have been built with the technical abilities and tools of the people of the time and further argue that many could not be duplicated even today. They suggest that the large size of the building stones, the precision with which they were laid, and the distances many were transported leaves the question open as to who constructed these sites. These contentions are categorically rejected by mainstream archeology. Some mainstream archeologists have participated in experiments to move large megaliths. These experiments have succeeded in moving megaliths up to at least 40 tons,[53][54] and they have speculated that with a larger workforce larger megaliths could be towed with ancient technology.[55] Such allegations are not unique in history, however, as similar reasoning lay behind the wonder of the Cyclopean masonry walling at Mycenaean cities in the eyes of Greeks of the following "Dark Age," who believed that the giant Cyclopes had built the walls.

Religious and cultural practises

A number of ancient cultures, such as the Ancient Egyptians and some Native Americans, artificially lengthened the skulls of their children. Some ancient astronaut theorists propose that this was done to emulate extraterrestrial visitors, whom they saw as gods.[56][57] Among the ancient rulers depicted with elongated skulls are pharaoh Akhenaten and Nefertiti. It has been pointed out that the Grey aliens described by many alien abductees have similarly shaped heads.[56] In the program Ancient Aliens it was suggested that the owners of the biggest of the lengthened skulls may be human-extraterrestrial hybrids.[56]

Reception

Despite the proponents' own interpretations of ancient writings and artifacts, there has yet to be found any evidence to support the ancient astronaut hypothesis.

Alan F. Alford, author of Gods of the New Millennium (1996), was an adherent of the ancient astronaut theory. Much of his work draws on Sitchin's theories. However, he now finds fault with Sitchin's theory after deeper analysis, stating that: "I am now firmly of the opinion that these gods personified the falling sky; in other words, the descent of the gods was a poetic rendition of the cataclysm myth which stood at the heart of ancient Near Eastern religions."[58]

The Christian creationist community is highly critical of many of the ancient astronaut ideas, the young earth creationist author Clifford A. Wilson published Crash Go the Chariots in 1972 in which he attempted to discredit all claims made in Von Daniken's book Chariots of the Gods.[59]

In a 2004 article in Skeptic magazine,[60] Jason Colavito claims that von Däniken plagiarized many of the book's concepts from Le Matin des Magiciens (Morning of the Magicians), that this book in turn was heavily influenced by the Cthulhu Mythos, and that the core of the ancient astronaut theory originates in H. P. Lovecraft's short stories "The Call of Cthulhu" and "At the Mountains of Madness".

Popular culture

Ancient astronaut theory has been used as background or main topic in many fictional works such as Lovecraft's short story The Call of Cthulhu (1926), the movie Stargate (1994), the TV show Earth: Final Conflict, and innumerable comic books, manga books and video games.

Proponents

Many publications have argued for some variant of ancient astronaut theory. Notable examples include:

1919: Charles Fort (book, The Book of the Damned)

1954: Harold T. Wilkins (book, Flying Saucers from the Moon)

1956: Morris K. Jessup (book, UFOs and the Bible)

1957: Peter Kolosimo (book, Il pianeta sconosciuto (The Unknown Planet))

1958: George Hunt Williamson (book, Secret Places of the Lion)

1958: Henri Lhote[61] (book, The Search for the Tassili Frescoes: The story of the prehistoric rock-paintings of the Sahara)

1959: Matest M. Agrest

1959: Jacques Bergier and Louis Pauwels (book, The Morning of the Magicians)

1960: Brinsley Le Poer Trench (book, The Sky People)

1963: Robert Charroux (book, One Hundred Thousand Years of Man's Unknown History)

1964: W. Raymond Drake (book, Gods or Spacemen?)

1965: Paul Misraki (book, Flying Saucers Through The Ages)

1966: Iosif Shklovsky and Carl Sagan (book, Intelligent Life in the Universe)

1967: Brad Steiger (book, The Flying Saucer Menace)

1967: John Michell (book, The Flying Saucer Vision)

1968: Erich von Däniken (book, Chariots of the Gods?)

1968: Barry Downing (book, The Bible and Flying Saucers)

1969: Robert Dione (book, God Drives a Flying Saucer)

1969: Jean Sendy (book, Those Gods Who Made Heaven and Earth; the novel of the Bible)

1971: Andrew Tomas (book, We are not the first: riddles of ancient science)

1972: Thomas Charles Lethbridge (book, The Legend of the Sons of God: A Fantasy?)

1974: Charles Berlitz (book, The Bermuda Triangle)

1974: Josef F. Blumrich (book, The Spaceships of Ezekiel)

1974: Claude Vorilhon aka Rael (book, Le Livre Qui Dit La Vérité (The Book Which Tells the Truth))

1974: Robin Collyns (book, Did Spacemen Colonise the Earth?)

1975: Graham Cairns-Smith (a biochemist who suggested that the ancestors of humans might have had alien biochemistries and presented some evidence to support this possibility in a biological research journal)[62][63]

1975: Serge Hutin (book, Alien Races and Fantastic Civilizations)

1976: Robert K. G. Temple (book, The Sirius Mystery)

1976: John Baxter, Thomas Atkins (book The Fire Came By: The Riddle of the Great Siberian Explosion)

1977: John Philip Cohane (book, Paradox: The Case for the Extraterrestrial Origin of Man)

1977: Warren Smith (book, UFO Trek)

1978: George Sassoon and Rodney Dale (book, Manna Machine)

1978: Zecharia Sitchin (book, The 12th planet)

1984: Don Elkins, James McCarthy, Carla Rueckert (book, The Ra Material: An Ancient Astronaut Speaks (The Law of One, No 1))

1988: Riley Martin (book, The Coming of Tan)

1993: David Icke (book, --and the truth shall set you free)

1996: Alan F. Alford (book, Gods of the New Millennium)

1996: Murry Hope (book, The Sirius Connection: Unlocking the Secrets of Ancient Egypt)

1996: Richard C. Hoagland (book, The Monuments of Mars: A City on the Edge of Forever)

1998: Lloyd Pye (book, Everything You Know is Wrong — Book One: Human Evolution)

1998: James Herbert Brennan (book, Martian Genesis)

1999: David Hatcher Childress (book, Technology of the Gods, The Incredible Science of the Ancients)

1999: Laurence Gardner (book, Genesis of the Grail Kings: The Explosive Story of Genetic Cloning)

2003: Burak Eldem

See also
 
Ancient Aliens (TV series)
http://en.wikipedia.org/wiki/Ancient_Aliens
Ancient astronauts in popular culture
http://en.wikipedia.org/wiki/Ancient_astronauts_in_popular_culture
Close encounter
http://en.wikipedia.org/wiki/Close_encounter
Deluge myth
http://en.wikipedia.org/wiki/Deluge_myth
First contact (science fiction)
http://en.wikipedia.org/wiki/First_contact_(science_fiction)
Gibborim
http://en.wikipedia.org/wiki/Gibborim_(biblical)
Grey alien
http://en.wikipedia.org/wiki/Grey_alien
Little green men
http://en.wikipedia.org/wiki/Little_green_men
Men in Black
http://en.wikipedia.org/wiki/Men_in_Black
Pseudoarchaeology
http://en.wikipedia.org/wiki/Pseudoarchaeology
Pseudoscience topics (list)
http://en.wikipedia.org/wiki/List_of_topics_characterized_as_pseudoscience
Reptilians
http://en.wikipedia.org/wiki/Reptilians
The Space Gods Revealed (book)
http://en.wikipedia.org/wiki/The_Space_Gods_Revealed
UFO conspiracy theory
http://en.wikipedia.org/wiki/UFO_conspiracy_theory
Xenoarchaeology (archaeology on supposed alien cultures)
http://en.wikipedia.org/wiki/Xenoarchaeology

Notes
 
1.^ Lieb, Michael (1998). Children of Ezekiel: Aliens, Ufos, the Crisis of Race, and the Advent of End Time. Duke University Press. p. 250. ISBN 0-8223-2268-4.

2.^ Cithara. St. Bonaventure University. 1961. p. 12.

3.^ Von Däniken, Erich (1984). Chariots of the Gods. Berkley Pub Group. ISBN 0-425-07481-1.

4.^ Harrold,. Noah's ark and ancient astronauts: Pseudoscientific beliefs about the past among a sample of college students. The Skeptical inquirer 11.1 1986: 61. Committee for the Scientific Investigation of Claims of the Paranormal. 13 Dec 2010.

5.^ See section on Ancient Astronauts in The human myth: an introduction to anthropology by Michael D. Olien, Harper & Row, 1978

6.^ [1] Article on Ancient astronauts in Weekly World News Apr 3, 2001

7.^ Sagan, Carl. Broca's Brain. 1979

8.^ Joseph A. Angelo, Encyclopedia of space and astronomy, 2006 p. 444

9.^ Gold, T. "Cosmic Garbage," Air Force and Space Digest, 65 (May 1960).

10.^ "Ancient Aliens". History.com. 2011-06-14. http://www.history.com/shows/ancient-aliens. Retrieved 2011-06-18.

11.^ "Erich von Däniken's Chariots of the Gods: Science or Charlatanism?", Robert Sheaffer. First published in the "NICAP UFO Investigator", October/November, 1974. http://www.debunker.com/texts/vondanik.html

12.^ Sitchin's Nibiru Hypothesis

13.^ Sumerian Lexical Lists and Sitchin's "Translations"

14.^ Open Letter to Zecariah Sitchin

15.^ Electronic Text Corpus of Sumerian Literature (ETCSL) maintained by Oxford University

16.^ Temple, Robert K. G., The Sirius Mystery, 1976. ISBN 0-09-925744-0

17.^ Sagan, Carl, Broca's Brain, published by Random House, Inc. in 1974

18.^ Investigating the Sirius "Mystery" - Skeptical Inquirer (1978) Ian Ridpath

19.^ Walter E. A. van Beek: "Dogon Restudied: A Field Evaluation of the Work of Marcel Griaule." Current Anthropology, 32 (1991): 139-167.

20.^ Shklovski, I.S and Carl Sagan. Intelligent Life in the Universe. San Francisco: Holden-Day, 1966

21.^ "The Possible Consequences of Direct Contact," authored mostly by Sagan, according to line-by-line indications of individual or collaborative sections.

22.^ "civilizations, aeons more advanced than ours, must be plying the spaces between stars." Shklovski and Sagan, p. 464

23.^ Even allowing for millions of years between visits from a hypothetical "Galactic survey ship", Sagan calculated ~10ˆ4 such visits could have occurred "during [Earth's] geologic time". Shklovski and Sagan, p. 461;

24.^ Sagan cites the 1786 expedition of French explorer Jean-François de Galaup, comte de La Pérouse, which made the earliest contact between European and Tlingit cultures. This contact story was preserved as an oral tradition by the preliterate Tlingit, and was first recorded by anthropologist George T. Emmons over a century after its occurrence. Though framed in a Tlingit cultural and spiritual paradigm, the story remained an accurate telling of the 1786 encounter. According to Sagan, this proved how "under certain circumstances, a brief contact with an alien civilization will be recorded in a reconstructable manner. The reconstruction will be greatly aided if (1) the account is committed to written record soon after the event; (2) a major change is effected in the contacted society; and (3) no attempt is made by the contacting civilization to disguise its exogenous nature." Shklovski and Sagan, p. 453

25.^ "stories like the Oannes legend, and representations especially of the earliest civilizations on Earth, deserve much more critical studies than have been performed heretofore, with the possibility of direct contact with an extraterrestrial civilization as one of many possible alternative explanations". Shklovski and Sagan, p. 461

26.^ Sagan, Broca's Brain, p. 67

27.^ Partridge, C.H. (2003). UFO religions. Routledge. ISBN 978-0-415-26324-5. http://books.google.com/books?id=zHT8CeeiWlIC.

28.^ "http://www.sjsu.edu/faculty/watkins/cargocult.htm"

29.^ a b Sacred Texts: RÁMÁYAN OF VÁLMÍKI translated by Ralph T H Griffith

30.^ Erich von Däniken, Chariots of the Gods? ("Chapter 6: Ancient Imagination and Legends or Ancient Facts?"), 1968

31.^ "http://www.main.org/polycosmos/glxywest/vimanas.htm"

32.^ James Orr says "it is not easy to be certain of the interpretation of this strange passage." "Nephilim," The International Standard Bible Encyclopedia, James Orr, ed., (Chicago: Howard-Severance, 1930), Vol. IV, p. 2133.

33.^ Book of Enoch (English and Swedish translations)

34.^ Ancient Aliens, Series 2 Episode 7: Angels and Aliens

35.^ Missler, Chuck, and Mark Eastman, Alien Encounters: The Secret Behind the UFO Phenomenon (Coeur d'Alene, ID: Koinonia House, 1997), 207.

36.^ von Däniken, 37. Le Poer Trench had previously speculated that a space vehicle had used nuclear weapons to destroy Sodom; Brinsley Le Poer Trench, The Sky People (New York: Award Books, 1970; copyright 1960, London) 64-5.

37.^ Gordon Stein, The encyclopedia of the paranormal, Prometheus Books, 1996 p. 29

38.^ Ezekiel 1, New International Version

39.^ von Daniken, 38-9. Morris K. Jessup, UFO and the Bible (New York: Citadel Press, 1956) 56-59.

40.^ Arthur W. Orton: "The Four-Faced Visitors of Ezekiel", Analog Science Fact & Fiction, March 1961, p. 99 (e-text at Project Gutenberg: http://www.gutenberg.org/ebooks/30252).

41.^ Josef F. Blumrich: The Spaceships of Ezekiel, Corgi Books, 1974.

42.^ "AncientDimensions Mysteries: De-Coded: The Ark Of The Covenant". Farshores.org. http://farshores.org/a06ark.htm. Retrieved 2011-06-18.

43.^ Profile of Paul Misraki in UFOs in the 1980s by Jerome Clark, Apogee Books, 1990

44.^ Philip H. Melling, Fundamentalism in America: millennialism, identity and militant religion, 1999, p. 183

45.^ The Bible and Flying Saucers First Edition 1968. Second edition published in 1997 ISBN 1-56924-745-5

46.^ "Hell is on the planet Venus" Weekly World News Aug 31, 1993. Books.google.com. 1993-08-31. http://books.google.com/books?id=QO0DAAAAMBAJ&pg=PA35&dq=venus+hell&hl=en&ei=38L0TZ6NKdG38gO--ZCaBw&sa=X&oi=book_result&ct=book-preview-link&resnum=3&ved=0CDUQuwUwAg#v=onepage&q=venus%20hell&f=false. Retrieved 2011-06-18.

47.^ Cave paintings and locations such as Wondinja and are discussed in the book UFO: the continuing enigma, Reader's Digest Association, 1991

48.^ UFO Evidence

49.^ "Art and UFO - Part 5". Sprezzatura.it. 2002-11-23. http://sprezzatura.it/Arte/Arte_UFO_5_eng.htm. Retrieved 2011-06-18.

50.^ "The Mysterious Nazca Lines". Onagocag.com. 1982-08-07. http://www.onagocag.com/nazca.html. Retrieved 2011-06-18.

51.^ "Strange Artifacts, Ancient Flying Machines". World Mysteries. 1903-12-17. http://www.world-mysteries.com/sar_7.htm. Retrieved 2011-06-18.

52.^ Christopher Penczak, Ascension Magick: Ritual, Myth & Healing for the New Aeon, 2007, p. 226

53.^ "NOVA
Transcripts
Secrets of Lost Empires
Stonehenge". PBS. 1997-02-11. http://www.pbs.org/wgbh/nova/transcripts/2403stone.html. Retrieved 2011-06-18.

54.^ "NOVA Online
Mysteries of the Nile
August 27, 1999: The Third Attempt". Pbs.org. 1999-08-27. http://www.pbs.org/wgbh/nova/egypt/dispatches/990827.html. Retrieved 2011-06-18.

55.^ History Channel "Mega Movers: Ancient Mystery Moves"

56.^ a b c Kevin Burns (executive producer) (2011). Ancient Aliens, Series 3, Episode 8: Aliens and Lost Worlds (motion picture). A+E Networks.

57.^ David Hatcher Childress, Renato Vesco. Man-Made UFOs. 2007. p.179

58.^ "Ancient Astronauts". Eridu.co.uk. http://www.eridu.co.uk/Author/human_origins/ancient_astronauts.html. Retrieved 2011-06-18.

59.^ Clifford Wilson, Crash Go the Chariots, Lancer Books, 1972

60.^ "Charioteer of the Gods". Jcolavito.tripod.com. 2001-03-10. http://jcolavito.tripod.com/lostcivilizations/id26.html. Retrieved 2011-06-18.

61.^ "Lhote, Henri (1903-1991)". Daviddarling.info. 2007-02-01. http://www.daviddarling.info/encyclopedia/L/Lhote.html. Retrieved 2011-06-18.

62.^ A case for an alien ancestry, A. G. Cairns-Smith, Proceedings of the Royal Society B, 189, 249-74, 1975

63.^ "A Case for an Alien Ancestry". Adsabs.harvard.edu. http://adsabs.harvard.edu/abs/1975RSPSB.189..249C. Retrieved 2011-06-18.
 
References
 
Charroux, Robert (1974). Masters of the world. Berkley Pub. Corp. ASIN B0006WIE1O.

Colavito, Jason (2005). The Cult of Alien Gods: H. P. Lovecraft and Extraterrestrial Pop Culture. Prometheus Books. ISBN 1-59102-352-1.

Däniken, Erich von (1972). Chariots of the Gods. Berkley Publishing Group. ISBN 0-425-16680-5.

Grünschloß, Andreas (June 2006). ""Ancient Astronaut" Narrations: A Popular Discourse on Our Religious Past" (PDF). Marburg Journal of Religion 11 (1). ISSN 1612-2941. http://web.uni-marburg.de/religionswissenschaft/journal/mjr/pdf/2006/gruenschloss2006.pdf.

Raël (1974). The Message Given by Extra-terrestrials. Nova Dist. ISBN 2-940252-20-3.

Sitchin, Zecharia (1999). The 12th Planet (The Earth Chronicles, Book 1). Avon. ISBN 0-380-39362-X.
 
Further reading
 
Avalos, Hector (2002) "The Ancient Near East in Modern Science Fiction: Zechariah Sitchin's The 12th Planet as Case Study." Journal of Higher Criticism, vol. 9, no. 1, pp. 49–70.

Harris, Christie (1975) Sky Man on the Totem Pole? New York: Atheneum.

External links

'Fringe' or 'cult' archaeology examined by professional archaeologist Keith Fitzpatrick-Matthews
http://www.badarchaeology.com/

quinta-feira, 31 de maio de 2012

Faraós do Antigo Egito (Super Interessante - Edição Especial 2012)

























Rituais de Aleister Crowley





































































































 

























InfoRelated: http://www.skoob.com.br/autor/5454 - http://www.olivreiro.com.br/livros/1435214-rituais-de-aleister-crowley - http://www.skoob.com.br/livro/33123-rituais-de-aleister-crowley - http://www.estantevirtual.com.br/livrariaalbelo/Marcos-Torrigo-Rituais-de-Aleister-Crowley-45257261

Aleister Crowley (by Christian Bouchet)




















































































(Selected) Info About Aleister Crowley:

Aleister Crowley (/ˈkroʊli/ KROH-lee; 12 October 1875–1 December 1947), born Edward Alexander Crowley, and also known as both Frater Perdurabo and The Great Beast, was an influential English occultist, mystic, ceremonial magician, poet and mountaineer, who was responsible for founding the religious philosophy of Thelema. In his role as the founder of the Thelemite philosophy, he came to see himself as the prophet who was entrusted with informing humanity that it was entering the new Aeon of Horus in the early 20th century.

Born into a wealthy upper class family, as a young man he became an influential member of the esoteric Hermetic Order of the Golden Dawn after befriending the order's leader, Samuel Liddell MacGregor Mathers. Subsequently believing that he was being contacted by his Holy Guardian Angel, an entity known as Aiwass, while staying in Egypt in 1904, he "received" a text known as The Book of the Law from what he believed was a divine source, and around which he would come to develop his new philosophy of Thelema. He would go on to found his own occult society, the A∴A∴ and eventually rose to become a leader of Ordo Templi Orientis (O.T.O.), before founding a religious commune in Cefalù known as the Abbey of Thelema, which he led from 1920 through till 1923. After abandoning the Abbey amid widespread opposition, Crowley returned to Britain, where he continued to promote Thelema until his death.

Crowley was also pansexual, a recreational drug experimenter and a social critic. In many of these roles he "was in revolt against the moral and religious values of his time", espousing a form of libertinism based upon the rule of "Do What Thou Wilt".[1] Because of this, he gained widespread notoriety during his lifetime, and was denounced in the popular press of the day as "the wickedest man in the world ."

Crowley has remained an influential figure and is widely thought of as the most influential occultist of all time. In 2002, a BBC poll described him as being the seventy-third greatest Briton of all time.[2] References to him can be found in the works of numerous writers, musicians and filmmakers,[3] and he has also been cited as a key influence on many later esoteric groups and individuals, including Kenneth Grant, Kenneth Anger, Jack Parsons, Gerald Gardner, Robert Anton Wilson and, to some degree, Austin Osman Spare.[4]

Early life

The Golden Dawn: 1898–1899

In 1898, Crowley was staying in Zermatt, Switzerland, where he met the chemist Julian L. Baker, and the two began talking about their common interest in alchemy. Upon their return to England, Baker introduced Crowley to George Cecil Jones, a member of the occult society known as the Hermetic Order of the Golden Dawn, which had been founded in 1888. Crowley was subsequently initiated into the Outer Order of the Golden Dawn on 18 November 1898 by the group's leader, Samuel Liddell MacGregor Mathers (1854–1918). The ceremony itself took place at Mark Masons Hall in London, where Crowley accepted his motto and magical name of "Frater Perdurabo", a Latin term meaning "I shall endure to the end."[47][48]

Crowley moved from the elegant accommodation at the Hotel Cecil to his own luxury flat at 67–69 Chancery Lane. He soon invited a Golden Dawn associate, Allan Bennett (1872–1923), to live with him, and Bennett became his personal tutor, teaching him more about ceremonial magic and the ritual usage of drugs.[49] In 1900, Bennett left London for Ceylon (modern Sri Lanka) to study Buddhism,[50] while in 1899 Crowley acquired Boleskine House in Foyers on the shore of Loch Ness in Scotland. He subsequently developed a love of Scottish culture, describing himself as the "Laird of Boleskine" and took to wearing traditional highland dress, even during visits back to London.[51]

However, a schism had developed in the Golden Dawn, with MacGregor Mathers, the organisation's leader, being ousted by a group of members who were unhappy with his autocratic rule. Crowley had previously approached this group of rebels, asking to be initiated into the further orders of the Golden Dawn, but they had declined him. Unfazed, he went directly to Mathers, who still held the post of chief and who agreed to initiate him into the Second Order.[52] Now loyal to Mathers, Crowley (with the help of his then mistress and fellow initiate Elaine Simpson) attempted to help crush the rebellion and unsuccessfully tried to seize a London temple space known as the Vault of Rosenkreutz from the rebels.[53]

Crowley had also developed personal feuds with some of the Golden Dawn's members; he disliked the poet W.B. Yeats, who had been one of the rebels, because Yeats had not been particularly favourable towards one of his own poems, Jephthat.[54] He also disliked Arthur Edward Waite, who would rouse the anger of his fellows at the Golden Dawn with his pedantry.[55] Crowley voiced the view that Waite was a pretentious bore through searing critiques of Waite's writings and editorials of other authors' writings. In his periodical The Equinox, Crowley titled one diatribe, "Wisdom While You Waite", and his mock-obituary on the passing of Waite bore the title "Dead Waite".[56]

Developing Thelema

Egypt and The Book of the Law: 1904

In 1904, Crowley and his new wife Rose travelled to Egypt using the pseudonym of Prince and Princess Chioa Khan, titles which Crowley claimed had been bestowed upon him by an eastern potentate.[64] According to Crowley's own account, Rose, who was pregnant, began to experience visions while in the country, regularly informing him that "they are waiting for you", but not providing him with any further information as to who "they" were. It was on 18 March, after Crowley sought the aid of the Egyptian god Thoth in a magical rite, that she actually revealed who "they" were – the ancient Egyptian god Horus and his alleged messenger. She then led him to a nearby museum in Cairo where she showed him a seventh century BCE mortuary stele known as the Stele of Ankh-ef-en-Khonsu (it later came to be revered in Thelema as the "Stele of Revealing"); Crowley was astounded for the exhibit's number was 666, the number of the beast in Christian belief.[65] Crowley took this all to be a sign from a divine entity and on 20 March began performing ritual invocations of the god Horus in his rented room. It was after this invocation that Rose, or as he now referred to her, Ouarda the Seeress, informed him that "the Equinox of the Gods had come".[66]

It was on 8 April, when the couple were still staying in Cairo, that Crowley first heard a disembodied voice talking to him, claiming that it was coming from a being known as Aiwass, the true nature of whom Crowley never understood. Crowley's disciple and later secretary Israel Regardie believed that this voice came from Crowley's subconscious, but opinions among Thelemites differ widely.[67] Aiwass claimed to be a messenger from the god Horus, who was also referred to by him as Hoor-Paar-Kraat. Crowley wrote down everything the voice told him over the course of the next three days, and subsequently titled it Liber AL vel Legis or The Book of the Law.[68][69] The god's commands explained that a new Aeon for mankind had begun, and that Crowley would serve as its prophet. As a supreme moral law, it declared "Do what thou wilt shall be the whole of the law", and that people should learn to live in tune with their "True Will". Although this event would prove to be a cornerstone in Crowley's life, being the origin of the philosophy of Thelema, at the time he was unsure what to think about the whole situation. He was "dumbfounded about what to do with The Book of the Law" and eventually decided to ignore the instructions that it commanded him to perform, which included taking the Stele of Revealing from the museum, fortifying his own island and translating the Book into all the world's languages. Instead he simply sent typescripts of the work to several occultists whom he knew, and then "put aside the book with relief."[70]

Kangchenjunga and China: 1905–1906

Returning to Boleskine, Crowley came to believe, for reasons that are documented in Crowley's diaries, that his former friend Samuel Liddell MacGregor Mathers had become so jealous of his progression as a ceremonial magician that he had begun using magic against him, and the relationship between the two broke down.[71] On 28 July 1905, Rose gave birth to Crowley's first child, a daughter, whom he named Nuit Ma Ahathoor Hecate Sappho Jezebel Lilith, although she would commonly be referred to simply by her last name.[72] He also founded a publishing company, naming it the Society for the Propagation of Religious Truth in parody of the Society for Promoting Christian Knowledge, and through this released more of his own poetry, including The Sword of Song.[73] While his poetry often received strong reviews (either positive or negative), it never sold well, and attempting to gain more publicity, he issued a reward of £100 for whomever could write the best essay on the topic of his work. The winner of this would prove to be J.F.C. Fuller (1878–1966), a British Army officer and military historian, whose essay, The Star in the West, heralded Crowley's poetry as some of the greatest ever written.[74]

Crowley decided to climb another of the world's greatest mountains, and for this chose Kangchenjunga in the Himalayas, widely thought of as "the most treacherous mountain in the world" by climbers at the time. Assembling a team consisting of Dr Jacot-Guillarmod, a veteran of the K2 climb, as well as several other continental Europeans including Charles Adolphe Reymond, Alexis Pache and Alcesti C. Rigo de Righi, the group travelled to British India to undertake the task. Throughout the expedition, there was much argument between Crowley and the others who felt that he was reckless. They eventually mutinied against Crowley's control, with the other climbers heading back down the mountain as nightfall approached despite Crowley's warnings that it was too dangerous. Crowley was proved right as Pache and several porters were subsequently killed in an accident.[75]

Returning from this expedition, he met up with Rose and Lilith in Kolkata before being forced to leave India after shooting dead a native who had tried to mug him.[76] Travelling to China, Crowley soon fell down a forty foot cliff; finding himself unscathed, he believed that he was being protected for some prophetic purpose, and underwent a religious experience that he felt bestowed on him the rank of Exempt Adept, the highest grade of the Second Order of the Golden Dawn. Devoting himself fully to spiritual and magical work, he began studying the Goetia, and recited the grimoire's preliminary invocation daily in order to try to get in contact with his Holy Guardian Angel. The Crowleys spent the next few months travelling around China, but it was decided that in March 1906, they would return to Britain.[77]

Rose took Lilith with her and set off for Europe via India, while Crowley himself decided to travel back via the United States, where he hoped he would be able to get support for a second expedition to Kangchenjunga. Before departing, Crowley visited his friend Elaine Simpson in Shanghai, a fellow occultist who had been his colleague in the Golden Dawn. She was fascinated by The Book of the Law and the prophetic message that it contained, something he had been ignoring, and together they performed a ritual to invoke Aiwass once more. The ritual proved successful, and Aiwass provided Crowley with the message that he should "Return to Egypt, with same surroundings. There I will give thee signs." Nonetheless, Crowley ignored the advice of Aiwass, instead heading off to America. Stopping off at the Japanese port of Kobe along the way, Crowley had a vision which he interpreted as meaning that the great spiritual beings known as the Secret Chiefs had admitted him into the Third Order of the Golden Dawn. Subsequently arriving in America, he found no support for his proposed mountaineering expedition, and so set sail to return to Britain, arriving there in June 1906.[78]

The A∴A∴ and the Holy Books of Thelema: 1907–1909

Upon arrival at Britain, Crowley learned that his daughter Lilith had died of typhoid in Rangoon and that his wife had begun suffering from alcoholism. Heartbroken, his health began to suffer, and he underwent a series of surgical operations. He began having a short-lived sexual affair with Vera "Lola" Stepp, an actress to whom he would devote some of his poetry, while Rose gave birth to his second daughter, Lola Zaza,[79] for whom Crowley devised a special ritual of thanksgiving.[80]

Believing that he was now amongst the highest level of spiritual adepts, Crowley began to think about founding his own magical society. In this he was supported by his friend and fellow occultist George Cecil Jones. The pair began to practice rituals together at Jones' home in Coulsdon, and for the autumn equinox on 22 September 1907 developed a new ceremony based upon the Golden Dawn initiatory rite, for which Crowley composed a verse liturgy entitled "Liber 671", and later dubbed "Liber Pyramidos". The pair repeated this ritual again on 9 October, when they had made some alterations to it. In Crowley's eyes, this ritual would prove to be one of the "greatest events of his career" during which he "attained the knowledge and conversation of his holy guardian angel" and "entered the trance of samadhi, union with godhead." He therefore finally succeeded with the aim of his Abramelin operation – as set out in the grimoire known as The Book of the Sacred Magic of Abramelin the Mage – which he had been working on for months.[82][83] Because of his spiritual attainment Crowley came to believe that he could finally enter into conversation with his Holy Guardian Angel, the entity known as Aiwass, and as a result of this, on 30 October 1907 penned "Liber VII", a text that he believed to have been dictated to him by Aiwass through automatic writing. Following The Book of the Law, which had been received in 1904, "Liber VII" would prove to be the second book in a series of Holy Books of Thelema. Over the next few days, he also received a further Holy Book, "Liber Cordis Cincti Serpente".[84]

Soon, Crowley, Jones and J.F.C. Fuller decided to found a new magical order as a successor to the Hermetic Order of the Golden Dawn, which would be known as the A∴A∴, the Argenteum Astrum or the Silver Star.[85] Following the order's foundation, Crowley continued to write down more received Thelemic Holy Books during the last two months of the year, including "Liber LXVI", "Liber Arcanorum", "Liber Porta Lucis, Sub Figura X", "Liber Tau", "Liber Trigrammaton" and "Liber DCCCXIII vel Ararita".[86] Meanwhile, effectively separated from his wife Rose by this point, Crowley entered into a romantic and sexual affair with Ada Leverson (1862–1933), an author and friend of Oscar Wilde.[87] This affair was brief, and in February 1908, Crowley was reunited with his wife as she had overcome her alcoholism, and together the couple travelled to Eastbourne for a holiday. Rose however relapsed and Crowley, who disliked her when drunk, fled to Paris.[88] In 1909, when doctors stated that Rose required institutionalisation for her alcoholism, Crowley finally decided that it was time to get a divorce, but because he didn't want the proceedings to reflect badly upon her, he agreed that she could divorce him for infidelity, thereby meaning that any bad appearances would instead be reflected upon him, and he remained her friend following the proceedings.[89]

Trying to gain more members for his A∴A∴, Crowley decided to begin publishing a biannual journal, The Equinox, which was billed as "The Review of Scientific Illuminism". Starting with a first issue in 1909, The Equinox contained pieces by Crowley, Fuller and a young poet Crowley had met in 1907 named Victor Neuburg.[90] Soon other occultists had joined the order, including solicitor Richard Noel Warren, artist Austin Osman Spare, Horace Sheridan-Bickers, author George Raffalovich, Francis Henry Everard Joseph Fielding, engineer Herbert Edward Inman, Kenneth Ward and Charles Stansfeld Jones.[91]

Victor Neuburg and Algeria: 1910–1911

In 1907, Crowley had been introduced to a Jewish Londoner named Victor Neuburg, a poet who was interested in the esoteric.[92]

In Paris during October 1908, he again produced Samadhi by the use of ritual and this time did so without hashish. He published an account of this success in order to show that his method worked and that one could achieve great mystical results without living as a hermit. On 30 December 1908, Aleister Crowley using the pseudonym Oliver Haddo made accusations of plagiarism against Somerset Maugham, author of the novel The Magician. Crowley's article appeared in Vanity Fair, edited then by Frank Harris who admired Crowley and who would later write the famous work My Life and Loves. Admittedly, Maugham did model the character of his magician Oliver Haddo after Crowley himself and Crowley confessed Maugham acquiesced privately on the question of plagiarism.[93]

In 1909, Crowley and Rose divorced, largely due to her alcoholism. She was subsequently admitted to an asylum suffering from alcoholic dementia. Meanwhile, Crowley soon moved on and took a woman named Leila Waddell as his lover or "Scarlet Woman".[94] In 1910, Crowley performed his series of dramatic rites, the Rites of Eleusis, with A∴A∴ members Leila Waddell (Laylah) and Victor Benjamin Neuburg.

Ordo Templi Orientis: 1912–1913

According to Crowley, Theodor Reuss called on him in 1912 to accuse him of publishing O.T.O. secrets, which Crowley dismissed on the grounds of having never attained the grade in which these secrets were given (IXth Degree). Reuss opened up Crowley's latest book, The Book of Lies, and showed Crowley the passage. This sparked a long conversation which led to Crowley assuming the Xth Degree of O.T.O. and becoming Grand Master of the English-speaking section of O.T.O. called Mysteria Mystica Maxima.[95]

Crowley would eventually introduce the practice of male homosexual sex magick into O.T.O. as one of the highest degrees of the Order for he believed it to be the most powerful formula.[96] Crowley placed the new degree above the Tenth Degree – not to be confused with any title in his own Order – and numbered it the Eleventh Degree.[97] There was a protest from some members of O.T.O. in Germany and the rest of continental Europe that occasioned a persistent rift with Crowley.[98]

In March 1913, producer Crowley introduced Leila Waddell in The Ragged Ragtime Girls follies review at the Old Tivoli in London where it enjoyed a brief run. In July 1913, the production enjoyed a six-week run in Moscow where Crowley met a young Hungarian girl named Anny Ringler. Crowley went on to practice sado-masochistic sex with Ringler. According to Crowley, "... She had passed beyond the region where pleasure had meaning for her. She could only feel through pain, and my own means of making her happy was to inflict physical cruelties as she directed. The kind of relation was altogether new to me; and it was because of this, intensified as it was by the environment of the self-torturing soul of Russia, that I became inspired to create by the next six weeks." While in Moscow, Crowley would see Anny for an hour and then he would write poetry. During this summer in Moscow, Crowley would write two of his most memorable works, the Hymn to Pan and the Gnostic Mass or Ecclesiae Gnosticae Catholicae Canon Missae. The Hymn to Pan would be read at his funeral thirty four years later. Certain Thelemites regularly perform the Gnostic Mass to this day. It symbolises the act of sex as a magical or religious ritual.[99]

Upon returning to London in the autumn of 1913, Crowley published the tenth and final number of volume one of The Equinox. In December 1913 in Paris, Crowley would engage Victor Benjamin Neuburg in The Paris Working. The first ritual took place on New Year's Eve 1914. In a period of seven weeks, Crowley and Neuburg performed a total of twenty four rituals which they recorded in the 'holy' or partially holy book formally entitled Opus Lutetianum.[100] Around eight months later Neuburg had a nervous breakdown. Afterward, Crowley and Neuburg would never see each other again.[101]

United States: 1914–1918

During his time in the U.S., Crowley practised the task of a Magister Templi in the A∴A∴ as he conceived it, namely interpreting every phenomenon as a particular dealing of "God" with his soul.[102] He began to see various women he met as officers in his ongoing initiation, associating them with priests wearing animal masks in Egyptian ritual.[103] A meditation during his relationship with one of these women, the poet Jeanne Robert Foster, led him to claim the title of Magus, also referring to the system of the A∴A∴.

In June 1915, Crowley met Jeanne Robert Foster in the company of her friend Hellen Hollis, a journalist; Crowley would have affairs with both women. Foster was a famous New York fashion model, journalist, editor, poet and married. Crowley's plan with Foster was to produce his first son; but in spite of a series of magical operations she did not get pregnant. By the end of 1915, the affair would be over.[104] During a trip to Vancouver in 1915, Crowley met Wilfred Smith, Frater 132 of the Vancouver Lodge of O.T.O., and in 1930 granted him permission to establish Agape Lodge in Southern California.[105] During the same trip in 1915, Crowley stopped over at Parke Davis in Detroit for some mescaline.[106]

In early 1916, Crowley had an illicit liaison with Alice Richardson, the wife of Ananda Coomaraswamy, one of the greatest art historians of the day. On the stage, Richardson was known as Ratan Devi, mezzo-soprano interpreter of East Indian music. Richardson became pregnant but on a voyage back to England, in mid-1916, she had a miscarriage. Just before his affair with Ratan Devi, Crowley was practising sex magick with Gerda Maria von Kothek, a German prostitute.[107]

Two periods of magical experimentation followed. In June 1916, he began the first of these at the New Hampshire cottage of Evangeline Adams, having ghostwritten most of her two books on astrology.[108] His diaries at first show discontent at the gap between his view of the grade of Magus and his view of himself: "It is no good making up my mind to do anything material; for I have no means. But this would vanish if I could make up my mind." Despite his objections to sacrificing a living animal, he resolved to crucify a frog as part of a rehearsal of the life of Jesus in the Gospels (afterward declaring it his willing familiar), "with the idea ... that some supreme violation of all the laws of my being would break down my Karma or dissolve the spell that seems to bind me."[109] Slightly more than a month later, having taken ether (ethyl oxide), he had a vision of the universe from a modern scientific cosmology that he frequently referred to in later writings.[110]

Crowley began another period of magical work on an island in the Hudson River after buying large amounts of red paint instead of food. Having painted "Do what thou wilt" on the cliffs at both sides of the island, he received gifts from curious visitors. Here at the island he had visions of seeming past lives, though he refused to endorse any theory of what they meant beyond linking them to his unconscious. Towards the end of his stay, he had a shocking experience he linked to "the Chinese wisdom" which made even Thelema appear insignificant.[111] Nevertheless, he continued in his work. Before leaving the country he formed a sexual and magical relationship with Leah Hirsig, whom he had met earlier, and with her help began painting canvases with more creativity and passion.[112]

Richard B. Spence writes in his 2008 book Secret Agent 666: Aleister Crowley, British Intelligence and the Occult that Crowley could have been a lifelong agent for British Intelligence. While this may have already been the case during his many travels to Tsarist Russia, Switzerland, Asia, Mexico and North Africa that had started in his student days, he could have been involved with this line of work during his life in America during the First World War, under a cover of being a German propaganda agent and a supporter of Irish independence. Crowley's mission might have been to gather information about the German intelligence network, the Irish independent activists and produce aberrant propaganda, aiming at compromising the German and Irish ideals. As an agent provocateur he could have played some role in provoking the sinking of the RMS Lusitania, thereby bringing the United States closer to active involvement in the war alongside the Allies.[113] He also used German magazines The Fatherland and The International as outlets for his other writings. The question of whether Crowley was a spy has always been subject to debate, but Spence uncovered a document from the US Army's old Military Intelligence Division supporting Crowley's own claim to having been a spy:

Aleister Crowley was an employee of the British Government ... in this country on official business of which the British Consul, New York City has full cognizance.[114]

Abbey of Thelema: 1920–1923

Soon after moving from West 9th St. in Greenwich Village, New York City, to Palermo, Sicily with their newborn daughter Anne Leah (nicknamed Poupée, born February 1920, died in a hospital in Palermo 14 October 1920), Crowley, along with Leah Hirsig, founded the Abbey of Thelema in Cefalù (Palermo) on 14 April 1920, the day the lease for the villa Santa Barbara was signed by Sir Alastor de Kerval (Crowley) and Contessa Lea Harcourt (Leah Hirsig). The Crowleys arrived in Cefalu on 1 April 1920.[115] During their stay at the abbey Hirsig was known as Soror Alostrael, Crowley's Scarlet Woman, the name Crowley used for his female sex magick practitioners in reference to the consort of the Beast of the Apocalypse whose number is 666.[116] The name of the abbey was borrowed from Rabelais's epic Gargantua,[117] where the "Abbey of Thélème" is described as a sort of anti-monastery where the lives of the inhabitants were "spent not in laws, statutes, or rules, but according to their own free will and pleasure."[118] This idealistic utopia was to be the model of Crowley's commune, while also being a type of magical school, giving it the designation "Collegium ad Spiritum Sanctum," The College of the Holy Spirit. The general programme was in line with the A∴A∴ course of training, and included daily adorations to the Sun, a study of Crowley's writings, regular yogic and ritual practices (which were to be recorded), as well as general domestic labour. The object, naturally, was for students to devote themselves to the Great Work of discovering and manifesting their True Wills. Two women, Hirsig and Shumway (her magical name was Sister Cypris after Aphrodite), were both carrying Crowley's seed. Hirsig had a two-year old son named Hansi and Shumway had a three-year old boy named Howard; they were not Crowley's but he nicknamed them Dionysus and Hermes respectively. After Poupée died, Hirsig had a miscarriage but Shumway gave birth to a daughter, Astarte Lulu Panthea. Hirsig suspected Shumway's Black Magic foul play and what Crowley found when reading Shumway's magical diary (everybody had to keep one while at the abbey for reasons explained in Liber E) appalled him. Shumway was banished from the abbey and the Beast lamented the death of his children. However, Shumway was soon back in the abbey again to take care of her offspring.[119]

Mussolini's Fascist government expelled Crowley from the country at the end of April 1923.

Beliefs

Thelema

Thelema is the mystical cosmology Crowley announced in 1904 and expanded upon for the remainder of his life. The diversity of his writings illustrate his difficulty in classifying Thelema from any one vantage. It can be considered a form of magical philosophy, religious traditionalism, humanistic positivism, and/or an elitist meritocracy.

The chief precept of Thelema, derived from the works of François Rabelais, is the sovereignty of Will: "Do what thou wilt shall be the whole of the Law." Crowley's idea of will, however, is not simply the individual's desires or wishes, but also incorporates a sense of the person's destiny or greater purpose: what he termed "True Will".

The second precept of Thelema is "Love is the law, love under will"—and Crowley's meaning of "Love" is as complex as that of "Will." It is frequently sexual: Crowley's system, like elements of the Golden Dawn before him, sees the dichotomy and tension between the male and female as fundamental to existence, and sexual "magick" and metaphor form a significant part of Thelemic ritual. However, Love is also discussed as the Union of Opposites, which Crowley thought was the key to enlightenment.

Freemasonry

He had also claimed to be a Freemason,[136] but the organisations he joined are not considered regular by Masonic bodies in the Anglo-American tradition.[137]

Crowley claimed the following Masonic degrees:

33° of the Scottish Rite in Mexico from Don Jesus Medina.

“Don Jesus Medina, a descendant of the great duke of Armada fame, and one of the highest chiefs of Scottish Rite free-masonry. My cabbalistic knowledge being already profound by current standards, he thought me worthy of the highest initiation in his power to confer; special powers were obtained in view of my limited sojourn, and I was pushed rapidly through and admitted to the thirty-third and last degree before I left the country.” The Confessions of Aleister Crowley pp. 202–203.

3° In France by the Anglo-Saxon Lodge No. 343, a Lodge chartered in 1899 by the Grande Loge de France, a body not at the time recognised by the United Grand Lodge of England, on 29 June 1904.

33° of the irregular 'Cerneau' Scottish Rite from John Yarker

90°/95° of the Rite of Memphis/Misraim from John Yarker.

The United Grand Lodge of England, whose recognition is generally considered the standard for Masonic validity, did not recognise any of the above bodies as being true Freemasonry, thus Crowley never was an “official” Freemason within the common understanding of the term.

Crowley quickly realized that the post-Yarker era meant change. He was not rebellious by reflex, at least where old British institutions were concerned. He undoubtedly believed O.T.O. had authority from Yarker to work the Ancient and Primitive Rite's equivalent to the Craft degrees in England, but once made aware of the issue of regularity when having his own French Masonic credentials declined, he was not defiant and on his own made changes to the O.T.O. to avoid conflict. He inserted notices into the last number of The Equinox to the effect that the O.T.O. did not infringe upon the just privileges of the Grand Lodge Of England

During WWI Crowley worked slightly revised English Craft rituals in America, but despite the absence of a central Grand Lodge, he met with objections from masonic authorities. He then rewrote the O.T.O. rituals for I° – III° so that they no longer resembled Craft masonry degrees in language, theme or intent.[138]

Science and magic

Crowley endeavoured to use the scientific method to study what people at the time called spiritual experiences, making "The Method of Science, the Aim of Religion" the catchphrase of his magazine The Equinox. By this he meant that religious experiences should not be taken at face value, but critiqued and experimented with in order to arrive at their underlying mystical or neurological meaning.

In this connection there was also the point that I was anxious to prove that spiritual progress did not depend on religious or moral codes, but was like any other science. Magick would yield its secrets to the infidel and the libertine, just as one does not have to be a churchwarden in order to discover a new kind of orchid. There are, of course, certain virtues necessary to the Magician; but they are of the same order as those which make a successful chemist.[139]

He frequently expressed views about sex that were radical for his time, and published numerous poems and tracts combining religious themes with sexual imagery both heterosexual and homosexual, as well as pederastic. One of his most notorious poetry collections, titled "White Stains" (1898), was published in Amsterdam in 1898 and dealt specifically with sexually explicit subject matter. However, most of the hundred copies printed for the initial release were later seized and destroyed by British customs.[140]

Crowley's magical and initiatory system has amongst its innermost reaches a set of teachings on sex magick. Sex magick is the use of the sex act—or the energies, passions or arousal states it evokes—as a point upon which to focus the will or magical desire for effects in the non-sexual world. In the view of Allen Greenfield,[141] Crowley was inspired by Paschal Beverly Randolph, an American Abolitionist, Spiritualist medium, and author of the mid-19th century who wrote (in Eulis!, 1874) of using the "nuptive moment" (orgasm) as the time to make a "prayer" for events to occur.

Crowley often introduced new terminology for spiritual and magickal practices and theory. In The Book of the Law and The Vision and the Voice, the Aramaic magickal formula Abracadabra was changed to Abrahadabra, which he called the new formula of the Aeon. He also famously spelled magic in the archaic manner, as magick, to differentiate "the true science of the Magi from all its counterfeits."[142]

He urged his students to learn to control their own mental and behavioural habits, to the point of switching political views and personalities at will. For control of speech (symbolised as the unicorn) he recommended to choose a commonly used word, letter, or pronouns and adjectives of the first person (such as the word "I"), and avoid using it for a week or more. Should they say the word he instructed them to cut themselves with a blade on each occasion to serve as warning or reminder. Later the student could move on to the "Horse" of action and the "Ox" of thought.[143] (These symbols derive from the cabala of Crowley's book 777.) Crowley has also been labelled by some anthropologists as a practitioner of neoshamanism and revivalist of shamanistic philosophies in the early 20th century.[144]

Legacy and influence

Crowley has remained an influential figure, both amongst occultists and in popular culture, particularly that of Britain, but also of other parts of the world.

Occult

After Crowley's death, various of his colleagues and fellow Thelemites continued with his work. One of his British disciples, Kenneth Grant, subsequently founded the Typhonian O.T.O. in the 1950s. In America, his followers also continued, one of the most prominent of whom was Jack Parsons, the influential rocket scientist. Parsons performed what he described as the Babalon Working in 1946, and subsequently claimed to have been taught the fourth part of the Book of the Law. Parsons would also later work with and influence L. Ron Hubbard, the later founder of Scientology.

Crowley inspired and influenced a number of later Malvernians including Major-General John Fuller, the inventor of artificial moonlight, and Cecil Williamson, the neo-pagan witch.

One of Crowley's acquaintances in the last months of his life was Gerald Gardner, who was initiated into O.T.O. by Crowley and subsequently went on to found the Neopagan religion of Wicca. Various scholars on early Wiccan history, such as Ronald Hutton, Philip Heselton and Leo Ruickbie concur that witchcraft's early rituals, as devised by Gardner, contained much from Crowley's writings such as the Gnostic Mass. The third degree initiation ceremony in Gardnerian Wicca (including the Great Rite) is derived almost completely from the Gnostic Mass.[179] Indeed, Gardner liked Crowley's writings because he believed that they "breathed the very spirit of paganism."[citation needed]

Crowley was also an influence on both the late 1960's counterculture and the New Age movement.[citation needed]

Popular culture

Fictionalised accounts of Crowley or characters based upon him have been included in a number of literary works, published both during his life and after. The writer W. Somerset Maugham used him as the model for the character in his novel The Magician, published in 1908.[62] Crowley was flattered by Maugham's fictionalised depiction of himself, stating that "he had done more than justice to the qualities of which I was proud... The Magician was, in fact, an appreciation of my genius such as I had never dreamed of inspiring."[180] Similarly, in Dennis Wheatley's popular thriller The Devil Rides Out, the Satanic cult leader Mocata is inspired by Crowley, and in turn the deceased Satanist Adrian Marcato referred to in Ira Levin's Rosemary's Baby is likewise a Crowley-like figure. Long after his death Crowley is still being used for similar purposes, appearing as a main character in Robert Anton Wilson's 1981 novel Masks of the Illuminati and Jake Arnott's 2009 novel The Devil's Paintbrush.

The association of Crowley's name with various satanic or dark individuals occurs widely in published works, especially those oriented toward a younger but technologically literate demographic target audience. In Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch (1990), a World Fantasy Award nominated novel by Terry Pratchett and Neil Gaiman, Crowley appears as one of the major characters - a demon who originated as the serpent in the Garden of Eden. In the cyberpunk novel Hammerjack (2005), author Marc D. Giller introduces the "Crowleys" on the second page of that sci-fi thriller, as one of the groups of "street species" inhabiting the cities. The long-running American TV series "Supernatural" also includes a major character named Crowley, who plays key roles in dealings with evil forces.

The acclaimed comic book author Alan Moore, himself a practitioner of ceremonial magic, has also included Crowley in several of his works. In Moore's From Hell, he appears in a cameo as a young boy declaring that magic is real, while in the series Promethea he appears several times existing in a realm of the imagination called the Immateria. Moore has also discussed Crowley's associations with the Highbury area of London in his recorded magical working, The Highbury Working.[181] Other comic book writers have also made use of him, with Pat Mills and Olivier Ledroit portraying him as a reincarnated vampire in their series Requiem Chevalier Vampire. Crowley also is referenced in the Batman comic Arkham Asylum: A Serious House on Serious Earth where the character Amadeus Arkham meets with him, discuss the symbolism of Egyptian tarot, and they play chess. He has also appeared in Japanese media, such as D.Gray-Man and Toaru Majutsu no Index, as well as the hentai series Bible Black, where he has a fictional daughter named Jody Crowley who continues her father's search for the Scarlet Woman. He is also depicted in the Original PlayStation game Nightmare Creatures as a powerful demonic resurrection of himself.[182] Ian Fleming used Crowley as a model for Le Chiffre, villain in the first James Bond novel Casino Royale.

Crowley has been an influence for a string of popular musicians throughout the 20th century. The hugely popular band The Beatles included him as one of the many figures on the cover sleeve of their 1967 album Sgt. Pepper's Lonely Hearts Club Band, where he is situated between Sri Yukteswar Giri and Mae West. A more intent interest in Crowley was held by Jimmy Page, the guitarist and co-founder of 1970s rock band Led Zeppelin. Despite not describing himself as a Thelemite or being a member of the Ordo Templi Orientis, Page was still fascinated by Crowley, and owned some of his clothing, manuscripts and ritual objects, and during the 1970s bought Boleskine House, which also appears in the band's movie The Song Remains the Same. On the back cover of the Doors 13 album, Jim Morrison and the other members of the Doors are shown posing with a bust of Aleister Crowley. Author Paulo Coelho introduced the writings of Aleister Crowley to Brazilian rocker Raul Seixas, who went on to write and perform songs (most notably, "Viva a Sociedade Alternativa" and "Novo Aeon") that were strongly influenced by Crowley.[183] The later rock musician Ozzy Osbourne released a song titled "Mr. Crowley" on his solo album Blizzard of Ozz, while a comparison of Crowley and Osbourne in the context of their media portrayals can be found in the Journal of Religion and Popular Culture.[184] Crowley has also been a favourite of Swiss Avant-Garde metal band Celtic Frost. In fact, the song Os Abysmi Vel Daath from Monotheist is based partially on some of his writings. In the early 1990s, British Indie band Five Thirty carried with them on tour a front door which they alleged had belonged to Crowley. The door was placed prominently on stage during their gigs.[185]

Crowley has also had an influence in cinema; in particular, he was a major influence and inspiration to the work on the radical avant garde underground film-maker Kenneth Anger, especially his Magick Lantern Cycle series of works. One of Anger's works is a film of Crowley's paintings,[186] and in 2009 he gave a lecture on the subject of Crowley.[187] Bruce Dickinson, singer with Iron Maiden, wrote the screenplay of Chemical Wedding (released in America on DVD as Crowley),[188] which features Simon Callow as Oliver Haddo, the name taken from the Magician-villain character in the Somerset Maugham book "The Magician", who was in turn inspired by Maugham's meeting with Crowley[189]

The Italian historian of esotericism Giordano Berti, in his book Tarocchi di Aleister Crowley (1998) quotes a number of literary works and films inspired by Crowley's life and legends. Some of the films are The Magician (1926) by Rex Ingram, based upon the eponymous book written by William Somerset Maugham (1908); Night of the Demon (1957) by Jacques Tourneur, based on the story "Casting the Runes" by M. R. James; and The Devils Rides Out (1968) by Terence Fisher, from the eponymous thriller by Dennis Wheatley. Also: "Dance To The Music of Time" by Anthony Powell, "Black Easter" by James Blish, and "The Winged Bull" by Dion Fortune.[190]

Extracts Source: http://en.wikipedia.org/wiki/Aleister_Crowley

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