quinta-feira, 19 de setembro de 2013
quinta-feira, 13 de junho de 2013
Mothman
Contents
Mothman is a legendary creature first reportedly seen in the Point Pleasant area of West Virginia from 15
November 1966 to 15 December 1967. The first newspaper report was published in
the Point Pleasant Register dated 16 November 1966, titled "Couples See
Man-Sized Bird...Creature...Something".[1]
Mothman was introduced to a wider audience by Gray Barker in 1970,[2][3] later popularized by John Keel in his 1975 book The Mothman Prophecies, claiming that Mothman was related to a wide array of supernatural events in the area and the collapse of the Silver Bridge. The 2002 film The Mothman Prophecies, starring Richard Gere, was based on Keel's book.[4] History On Nov. 12, 1966, five men who were digging a grave at a cemetery near Clendenin, WV claimed to see a man-like figure fly low from the trees over their heads.[5] This is often attributed as the first known sighting of what would become known as the Mothman. Shortly thereafter, on Nov. 15, 1966, two young couples from Point Pleasant, Roger and Linda Scarberry, and Steve and Mary Mallette told police they saw a large white creature whose eyes "glowed red" when the car headlights picked it up. They described it as a "flying man with ten-foot wings' following their car while they were driving in an area of town known as 'the TNT area', the site of a former World War II munitions plant.[6][7] During the next few days, other people reported similar sightings. Two volunteer firemen who sighted it said it was a "large bird with red eyes". Mason County Sheriff George Johnson commented that he believed the sightings were due to an unusually large heron he termed a "shitepoke". Contractor Newell Partridge told Johnson that when he aimed a flashlight at a creature in a nearby field its eyes glowed "like bicycle reflectors", and blamed buzzing noises from his television set and the disappearance of his German Shepherd dog on the creature.[8] Wildlife biologist Dr. Robert L. Smith at West Virginia University told reporters that descriptions and sightings all fit the Sandhill Crane, a large American crane almost as high as a man with a seven foot wingspan featuring circles of reddish coloring around the eyes, and that the bird may have wandered out of its migration route. There were no Mothman reports in the immediate aftermath of the December 15, 1967 collapse of the Silver Bridge and the death of 46 people,[9] giving rise to legends that the Mothman sightings and the bridge collapse were connected.[8][10][11] Claims of later sightings UFOlogist Jerome Clark writes that many years after the initial events, members of the Ohio UFO Investigators League re-interviewed several people who claimed to have seen Mothman, all of whom insisted their stories were accurate. Linda Scarberry claimed that she and her husband had seen Mothman "hundreds of times, " sometimes at close range, commenting, "It seems like it doesn’t want to hurt you. It just wants to communicate with you. "[12] Cryptozoologist Loren Coleman claims that sightings of Mothman continue, and told USA Today he re-interviewed witnesses described in Keel's book who said Mothman was "a huge creature about 7 feet tall with huge wings and red eyes" and that "they could see the creature flapping right behind them" as they fled from it.[13] Explanations Paranormal Some UFologists, paranormal authors, and cryptozoologists believe that Mothman was an alien, a supernatural manifestation, or an unknown cryptid. In his 1975 book The Mothman Prophecies, author John Keel claimed that the Point Pleasant residents experienced precognitions including premonitions of the collapse of the Silver Bridge, unidentified flying object sightings, visits from mysterious or threatening men in black, and other bizarre phenomena. However, Keel has been criticized for distorting established data, and for gullibility.[12] Skeptical Skeptic Joe Nickell says that a number of hoaxes followed the publicity generated by the original reports, such as a group of construction workers who tied red flashlights to helium balloons. Nickell attributes the Mothman reports to pranks, misidentified planes, and sightings of a barred owl, an albino owl, suggesting that the Mothman's "glowing eyes" were actually red-eye effect caused from the reflection of light from flashlights or other bright light sources. The area lies outside the snowy owl's usual range and locals, unfamiliar with such a large owl, could have misidentified the bird.[6] Folklorist Jan Harold Brunvand notes that Mothman has been widely covered in the popular press, some claiming sightings connected with UFOs, and others claiming that a military storage site was Mothman's "home". Brunvand notes that recountings of the 1966-67 Mothman reports usually state that at least 100 people saw Mothman with many more "afraid to report their sightings", but observed that written sources for such stories consisted of children's books or sensationalized or undocumented accounts that fail to quote identifiable persons. Brunvand found elements in common among many Mothman reports and much older folk tales, suggesting that something real may have triggered the scares and became woven with existing folklore. He also records anecdotal tales of Mothman supposedly attacking the roofs of parked cars inhabited by teenagers.[14] Festivals and statue Point Pleasant held its first Annual Mothman Festival in 2002 and a 12-foot-tall metallic statue of the creature, created by artist and sculptor Bob Roach, was unveiled in 2003. The Mothman Museum and Research Center opened in 2005 and is run by Jeff Wamsley.[15][16][17] The Festival is a weekend-long event held on the 3rd weekend of every September. There are a variety of events that go on during the festival such as guest speakers, vendor exhibits, and hayride tours focusing on the notable areas of Point Pleasant.[10] Extracts Source: http://en.wikipedia.org/wiki/Mothman 2002 Movie Trailer From YouTube: ( http://en.wikipedia.org/wiki/The_Mothman_Prophecies_(film) ) |
Marcadores:
cryptozoology,
flying cryptids,
humanoid cryptids,
Mothman,
ufology
segunda-feira, 4 de fevereiro de 2013
Curse of the Demon (Night of the Demon)
Info On This Great black & white Occult-Satanic-Horror Movie, In Which Dr. Julian Karswell Is Loosely Based On Aleister Crowley Persona:
The film's production was turbulent due to clashing ideas between producer Hal E. Chester on one side and Tourneur and writer Charles Bennett on the other. Although the original plan was not to show a literal demon, producer Chester inserted a monster over the objections of the writer, director and star Dana Andrews. To accelerate the pace, the film was trimmed down to 83 minutes (and retitled Curse of the Demon) in the US where it played the second half of a double feature bill with both The True Story of Lynn Stuart and The Revenge of Frankenstein (1958).
Cast
- Dana Andrews as John Holden
- Peggy Cummins as Joanna Harrington
- Niall MacGinnis as Doctor Karswell
- Maurice Denham as Professor Harrington
- Athene Seyler as Mrs. Karswell
- Liam Redmond as Mark O'Brien
- Reginald Beckwith as Mr. Meek
- Ewan Roberts as Lloyd Williamson
- Peter Elliott as Kumar
- Rosamund Greenwood as Mrs. Meek
- Brian Wilde as Rand Hobart
- Richard Leech as Inspector Mottram
- Lloyd Lamble as Detective Simmons
- Peter Hobbes as Superintendent
- Charles Lloyd Pack as Chemist
- John Salew as Librarian
- Janet Barrow as Mrs. Hobart
- Percy Herbert as Farmer
- Lynn Tracy as Air Hostess
Production
Screenwriter Charles Bennett owned the rights
to the original story "Casting the Runes" and wrote a script loosely based on
it, using the title The Haunted. He sold the script to independent
producer and former child actor Hal E. Chester shortly before going to America.
Bennett regretted selling the script because on arrival in America, he was
approached by RKO who wanted
to purchase his script and allow him to direct the film. Actors Robert
Taylor and Dick Powell
had been in line for the leading roles if this production had taken place.[1][2][3]
Jacques Tourneur was brought in by Chester on the recommendation of Ted Richmond, the producer of Tourneur's previous film, Nightfall (1957).[2] However, Tourneur and Chester had serious disagreements during filming. One argument was about the wind scene; Tourneur tried to convince Chester to replace two electric fans with two aeroplane engines. When Chester hesitated, star Dana Andrews threatened to leave the picture if Chester didn't let "the director direct the picture."[2] Locations for the film include Brocket Hall, Hertfordshire (as Lufford Hall), Stonehenge, Bricket Wood railway station, and the British Museum Reading Room.[4]
After completion of the principal shooting, producer Chester decided to show the demon at the beginning and end of the film. Tourneur later said that he was against the addition, stating "The scenes where you see the demon were shot without me...the audience should never have been completely certain of having seen the demon." Stop-motion master Ray Harryhausen was requested by Columbia Pictures to create the demon for the production, but was already committed to The 7th Voyage of Sinbad, with producer Charles H. Schneer. Author Tony Earnshaw's book Beating the Devil-the Making of Night of the Demon argues that showing the demon was planned early on in the production (despite Tourneur's protests to the contrary), in order to heighten the tension in the film by letting the audience know the demonic powers were real. Bennett, also angry at the script changes said, "If [Chester] walked up my driveway right now, I'd shoot him dead."[3]
Release
Theatrical release
The film was released in the United Kingdom for a theatrical run in December 1957.[5] In Britain, it was released as a double bill with the American film 20 Million Miles to Earth as a double feature.[5] In the United States, the film was released as Curse of the Demon. According to Charles Bennett, the title was changed as the studio didn't want it confused with the similarly titled story of The Night of the Iguana.[5] Curse of the Demon toured drive-ins and theatres variously with The True Story of Lynn Stuart and The Revenge of Frankenstein. Columbia cut several minutes of the film for the US release. Cut scenes included a visit to the Hobart family farm, a trip to Stonehenge, and snippets of the seance scenes and conversations between Karswell and his mother.[6]
Home video
In the United States, the film was released on VHS in 1986 by Columbia TriStar Home Video with a run time of 81 minutes.[7] A second VHS with a 96-minute running time was released by Goodtimes Home Video Corp in 1988.[7] In 1988, a Laserdisc of the film was released by Image Entertainment/Columbia Pictures with an 81 minute running time.[8] A double-bill version with both the UK version of Night of the Demon and the edited US version as Curse of the Demon was released on DVD in August 2002.[7] In the United Kingdom, Night of the Demon was released on VHS in 1995 by Encore Entertainment/Columbia TriStar Home Video.[7] The film was released on DVD in the United Kingdom for the first time on 18 October 2010.
( http://en.wikipedia.org/wiki/Night_of_the_Demon )
( http://www.imdb.com/title/tt0050766/ )
Jacques Tourneur was brought in by Chester on the recommendation of Ted Richmond, the producer of Tourneur's previous film, Nightfall (1957).[2] However, Tourneur and Chester had serious disagreements during filming. One argument was about the wind scene; Tourneur tried to convince Chester to replace two electric fans with two aeroplane engines. When Chester hesitated, star Dana Andrews threatened to leave the picture if Chester didn't let "the director direct the picture."[2] Locations for the film include Brocket Hall, Hertfordshire (as Lufford Hall), Stonehenge, Bricket Wood railway station, and the British Museum Reading Room.[4]
After completion of the principal shooting, producer Chester decided to show the demon at the beginning and end of the film. Tourneur later said that he was against the addition, stating "The scenes where you see the demon were shot without me...the audience should never have been completely certain of having seen the demon." Stop-motion master Ray Harryhausen was requested by Columbia Pictures to create the demon for the production, but was already committed to The 7th Voyage of Sinbad, with producer Charles H. Schneer. Author Tony Earnshaw's book Beating the Devil-the Making of Night of the Demon argues that showing the demon was planned early on in the production (despite Tourneur's protests to the contrary), in order to heighten the tension in the film by letting the audience know the demonic powers were real. Bennett, also angry at the script changes said, "If [Chester] walked up my driveway right now, I'd shoot him dead."[3]
Release
Theatrical release
The film was released in the United Kingdom for a theatrical run in December 1957.[5] In Britain, it was released as a double bill with the American film 20 Million Miles to Earth as a double feature.[5] In the United States, the film was released as Curse of the Demon. According to Charles Bennett, the title was changed as the studio didn't want it confused with the similarly titled story of The Night of the Iguana.[5] Curse of the Demon toured drive-ins and theatres variously with The True Story of Lynn Stuart and The Revenge of Frankenstein. Columbia cut several minutes of the film for the US release. Cut scenes included a visit to the Hobart family farm, a trip to Stonehenge, and snippets of the seance scenes and conversations between Karswell and his mother.[6]
Home video
In the United States, the film was released on VHS in 1986 by Columbia TriStar Home Video with a run time of 81 minutes.[7] A second VHS with a 96-minute running time was released by Goodtimes Home Video Corp in 1988.[7] In 1988, a Laserdisc of the film was released by Image Entertainment/Columbia Pictures with an 81 minute running time.[8] A double-bill version with both the UK version of Night of the Demon and the edited US version as Curse of the Demon was released on DVD in August 2002.[7] In the United Kingdom, Night of the Demon was released on VHS in 1995 by Encore Entertainment/Columbia TriStar Home Video.[7] The film was released on DVD in the United Kingdom for the first time on 18 October 2010.
( http://en.wikipedia.org/wiki/Night_of_the_Demon )
( http://www.imdb.com/title/tt0050766/ )
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| Original UK quad poster |
Aleister Crowley - Black Magic Recordings (1910 - 1914)
General Info On Aleister Crowley:
Aleister Crowley (/ˈkroʊli/ KROH-lee; 12 October 1875 – 1 December 1947), born Edward Alexander Crowley, and also known as both Frater Perdurabo and The Great Beast 666, was an English occultist, mystic, ceremonial magician, poet and mountaineer, who was responsible for founding the religious philosophy of Thelema. In his role as the founder of the Thelemite philosophy, he came to see himself as the prophet who was entrusted with informing humanity that it was entering the new Aeon of Horus in the early 20th century.
Born into a wealthy upper-class family, as a young man he became a member of the esoteric Hermetic Order of the Golden Dawn. Subsequently he claimed that he was contacted by his Holy Guardian Angel, an entity he named Aiwass, while staying in Egypt in 1904, and that he 'received' a text known as The Book of the Law from what he claimed was a divine source, and around which he would come to develop his new philosophy of Thelema. He would go on to found his own occult society, the A∴A∴ and eventually rose to become a leader of Ordo Templi Orientis (O.T.O.), before founding a religious commune in Cefalù known as the Abbey of Thelema, which he led from 1920 until 1923. After abandoning the Abbey amid widespread opposition, Crowley returned to Britain, where he continued to promote Thelema until his death.
Crowley was also bisexual, a recreational drug experimenter and a social critic. In many of these roles, he "was in revolt against the moral and religious values of his time", espousing a form of libertinism based upon the rule of "Do What Thou Wilt".[1] Because of this, he gained widespread notoriety during his lifetime, and was denounced in the popular press of the day as "the wickedest man in the world".
Crowley has remained an influential figure and is widely thought of as the most influential occultist of all time. In 2002, a BBC poll described him as being the seventy-third greatest Briton of all time.[2] References to him can be found in the works of numerous writers, musicians and filmmakers,[3] and he has also been cited as a key influence on many later esoteric groups and individuals, including Kenneth Grant, Kenneth Anger, Jack Parsons, Gerald Gardner, Sebastian Frederiksen, Robert Anton Wilson, Timothy Leary, The Rolling Stones, Jay Z, and, to some degree, Austin Osman Spare.[4]
( http://en.wikipedia.org/wiki/Aleister_Crowley )
More Info:
The CD Track's Taken From YouTube:
segunda-feira, 28 de janeiro de 2013
Secret Agent 666: Aleister Crowley, British Intelligence and the Occult
Aleister Crowley is best today as a founding father of modern occultism. His wide, hypnotic eyes peer at us on the cover of The Beatles’ Sergeant Pepper’s Lonely Hearts Club Band, and his influence can be found everywhere in popular culture.
“The Great Beast” has been the subject of several biographies, some painting him as a misunderstood genius, others as a manipulative charlatan. None of them have looked seriously at his career as an agent of British Intelligence.
Using documents gleaned from British, American, French and Italian archives, Secret Agent 666 sensationally reveals that Crowley played a major role in the sinking of the Lusitania, a plot to overthrow the government of Spain, the thwarting of Irish and Indian nationalist conspiracies, and the 1941 flight of Rudolf Hess.
Author Richard Spence argues that Crowley—in his own unconventional way—was a patriotic Englishman who endured years of public vilification in part to mask his role as a secret agent.
The verification of the Great Beast’s participation in the twentieth century’s most astounding government plots will likely blow the minds of history as well as occult aficionados.
Author Richard B. Spence has been seen on various documentaries on The History Channel and is a consultant for Washington D.C.’s International Spy Museum. He is also the author of Trust No One: The Secret World of Sidney Reilly (Feral House).
( http://feralhouse.com/secret-agent-666/ )
( http://www.amazon.com/Secret-Agent-666-Aleister-Intelligence/dp/1932595333 )
Related Info:
http://en.wikipedia.org/wiki/Aleister_Crowley
http://en.wikipedia.org/wiki/Secret_Intelligence_Service
http://en.wikipedia.org/wiki/Occult
segunda-feira, 21 de janeiro de 2013
Love Sex Fear Death - The Inside Story of The Process Church of the Final Judgment
Info On The Book (from feralhouse site):
Contributions from Sammy Nasr, Edward Mason, Malachi McCormick, Kathe McCaffrey, Laura Merrill, Genesis Breyer P-Orridge, and Ruth Strassberg
The Process Church of the Final Judgment was the apocalyptic shadow side of the flower-powered ’60s and perhaps the most notorious cult of modern times.
Scores of black-cloaked devotees swept the streets of New York, San Francisco, London, Paris, Rome, Chicago, Toronto, Boston, New Orleans and other cities selling magazines with titles like Sex, Fear, Love and Death.
The Process’ no-holds-barred theology brought on accusations of sinister conspiracies.
Personalities like Marianne Faithfull, George Clinton and Mick Jagger participated in Process publications, and Funkadelic reproduced Process material in two of their albums.
Love Sex Fear Death — written by original Process Church member Timothy Wyllie — is the first book to provide the astonishing inside story of this fascinating group and the mysterious woman at its center. Included are contributions from six other former members and Genesis Breyer P-Orridge.
Included are never-before-seen photographs and reproductions from rare Process publications.
( http://feralhouse.com/love-sex-fear-death/ )
Info On The Process Church of The Final Judgment (from wikipedia):
The Process, or in full, The Process Church of the Final Judgment, commonly known by non-members as the Process Church, was a religious group that flourished in the 1960s and 1970s, founded by the English couple Mary Anne and Robert DeGrimston (originally Robert Moor and Mary Anne MacLean).[1] Originally headquartered in London it had developed as a splinter group from Scientology,[1] so that they were declared "suppressive persons" by L. Ron Hubbard in December 1965.[2] In 1966 the members of the group underwent a social implosion and moved to Xtul on Mexico's Yucatan peninsula, where they developed "processean" theology (which differs from, and is unrelated to process theology). They later established a base of operations in the United States in New Orleans.[2]
They were often viewed as Satanic on the grounds that they worshipped both Christ and Satan. Their belief is that Satan will become reconciled to Christ, and they will come together at the end of the world to judge humanity, Christ to judge and Satan to execute judgment. Vincent Bugliosi, the prosecutor of the Charles Manson family trial, comments in his book Helter Skelter that there may be evidence Manson borrowed philosophically from the Process Church, and that representatives of the Church visited him in jail after his arrest. According to one of these representatives, the purpose of the visit was to interview Manson about whether he had ever had any contact with Church members or ever received any literature about the Church.
In April, 1974 Robert DeGrimston was removed by the Council of Masters as Teacher. They renounced The Unity, his exposition of the above-noted doctrines, and most of his other teachings. DeGrimston attempted to restart the Process Church several times, but he could never replace his original following. Following DeGrimston's removal, the group underwent a significant change in orientation and renamed itself the Foundation Faith of the Millennium. In 1980 the name of the organization was changed to The Foundation Faith of God. Further changes in both name and focus followed, and the organization eventually became the Best Friends Animal Society, which is now one of America's best known animal welfare rescue groups. Later on, many of these same believers went on to support Gilles Deleuze in his leadership of the Anti-Oedipal movement of 1968.
A detailed account of the history of and life within the Process Church as told by a participant-observer is contained in William S. Bainbridge's book Satan's Power. (He employed a pseudonym for the name of the group, referring to it as "The Power", and disguised the names of people to preserve their identities, a procedure used for sociological studies of living groups to ensure privacy.)
Processean theology
The term "processean theology" distinguishes these ideas from the process theology derived from the thoughts of Alfred North Whitehead.
At Xtul was the first 'channeling' of God. After Xtul, Jehovah was the only recognised God. Later, with Jehovah, Lucifer and Satan were recognised as "The Three Great Gods of the Universe" and Christ as the Emissary to the Gods. The Three Great Gods represent three basic human patterns of reality:
- Jehovah, the wrathful God of vengeance and retribution, demands discipline, courage and ruthlessness, and a single-minded dedication to duty, purity and self-denial.
- Lucifer, the Light Bearer, urges us to enjoy life to the full, to value success in human terms, to be gentle and kind and loving, and to live in peace and harmony with one another. Man's apparent inability to value success without descending into greed, jealousy and an exaggerated sense of his own importance, has brought the God Lucifer into disrepute. He has become mistakenly identified with Satan.
- Satan, the receiver of transcendent souls and corrupted bodies, instills in us two directly opposite qualities; at one end an urge to rise above all human and physical needs and appetites, to become all soul and no body, all spirit and no mind, and at the other end a desire to sink beneath all human codes of behavior, and to wallow in a morass of violence, lunacy and excessive physical indulgence. But it is the lower end of Satan's nature that men fear, which is why Satan, by whatever name, is seen as the Adversary.
The Process believes that, to varying degrees, these "God-patterns" exist within all of us. The main doctrine of The Process is the unity of Christ and Satan, who exist as opposites. Jehovah and Lucifer exist as opposites and when Christ and Satan are united this will unite Jehovah and Lucifer.
In the original 1960s literature of the church, Christ, Lucifer, Satan, and Jehovah were all arranged on a mandala, with Christ at the top opposite Satan on the bottom and Jehovah on the left opposite Lucifer on the right.
(The descriptions of the Gods comes from a teaching called "The Hierarchy" published in December 1967, as a part of "The Tide of the End".)
( http://en.wikipedia.org/wiki/The_Process_Church_of_The_Final_Judgment )
( http://www.amazon.com/Love-Sex-Fear-Death-Judgment/dp/1932595376 )
Two Clips From YouTube:
segunda-feira, 14 de janeiro de 2013
Apocalypse Culture II
Info On The Book:
Apocalypse Culture II is a book edited by Adam Parfrey
and published by Feral
House in 2000 (ISBN 0-922915-57-1).
A sequel to his previous work, Apocalypse Culture, it continues the probing of
societal taboos, with
special attention given to child pornography,
cannibalism, terrorism,
assorted paraphilia, scatological
research, abnormal racisms, misanthropic ecology, and mind control.
Parfrey clarifies, in the preface, that the collection is not a "manifesto or
a smorgasbord
of personal fetishes or beliefs." "The book was compiled
to examine far-reaching and extreme societal tendrils."
It is dedicated to "the memory of Vladimir Jabotinsky 1880-1940." It opens with
quotations from Wilhelm Stekel's Sadism and Masochism and Woodrow Parfrey's
(the editor's father, imdb entry) death scene as a mass murderer
in the Naked City episode, "Burst of Passion".
Unable to find a printer willing to risk prosecution (under the Child Pornography Prevention Act), the book was
published with certain illustrations censored. The obscene parts of artwork by Blalla Hallman, Stu Mead, and
Beth
Love were blacked out, albeit in an incomplete manner. Feral House
made the objectionable paintings available for viewing on their website.
Contents
Clonejesus.com
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Human Pigs
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The Strange Crime of Issei Sagawa
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Bottom Feeder
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Anti-abortion
comic pamphlet
|
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From Cradle to Ladle
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For Fear of Little Men
|
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The Son of a New Morality Which Drowned Many in Her Wake
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Giusva
Fioravanti, founder of the Nuclei Armati Rivoluzionari
|
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Bacteriological Warfare
|
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The Conspiracy Virus, and How Mass Media Tries to Prevent It
|
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Techniques for Truth Suppression
|
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The Scapegoat: Ted Kaczynski, Ritual Murder, and The Invocation of
Catastrophe
|
The cryptocracy's framing of Ted Kaczynski
|
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America, The Possessed Corpse
|
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The Jonestown Re-enactment
|
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Murder Lite
|
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Joe alt.true.crime
|
FAQ about murder lover JOE, his postings on the true crime newsgroup, plus his letter to Danny Rolling
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Danny Rolling's Letter
|
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I Am The Hate
|
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Roadkill
|
Firsthand account of the author's assault of his girlfriend
|
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Hatred and Anger
|
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Dear Satan,
|
Letters sent to Anton LaVey and the Church of Satan
|
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| The Pornography of Romance |
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John Hinckley's Letters and Poems
|
Letters to Jodie Foster
|
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Uncle Ronnie's Sex Slaves
|
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Ritual Abuse
|
List of symptoms and syndromes regarding Satanic ritual abuse
|
||
Ceto's New Friends
|
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The Private Zone
|
Excerpts from a 1982 child sexual assault prevention book
|
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Pedophilia and the Morally Righteous
|
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Prime Time
|
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The Late, Great Aesthetic Taboos
|
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The Color Section
|
The poster for Crispin Hellion Glover's What
is it?, paintings by Blalla
W. Hallman, Stu Mead, Danny Rolling, and Norbert
Cox
|
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Inaugurator of the Pleasure Dome: Bobby Beausoleil
|
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My Lips Pressed Against the Decay
|
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The Ketamine Necromance
|
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RealDoll
|
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Who Is the Most Masterful Seducer of Them All?
|
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Steps In Overcoming Masturbation
|
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The New Hermaphrodite
|
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Total Body Transplants
|
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Death By Installments
|
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The Syrup of Memory
|
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Hi-Tech Market Research
|
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Project Blue Beam: The Electronic Second Coming
|
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Bye Bye Miss American Pie As Sung By Aryan Nations
|
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Holding Onto Jesus' Feet
|
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Jesus/Lucifer Santa/Satan? The Apocalyptic Parables Of Norbert
H. Kox
|
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The Bleeder
|
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David and Hitler go to the planet Mars
|
David
|
Semi-Retardation
|
|
What Is It?
|
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Never Again!
|
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Jews For Hitler
|
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Were Whites Made by Yacub through Selective
Breeding?
|
Dr. S. Epps
|
Elijah Muhammad, the White race, melanin
|
|
The War of the Balls excerpted from The
Isis Papers
|
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Kill and Kill Again
|
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Brown Magic
|
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The Fecal Sorcerer
|
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Edible Reward for Dry Pants
|
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The Shit List
|
Jack's Number Two
|
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Dystopia
|
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Mr. Awesome Proves Everybody Is A Star
|
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The Vampire Manifesto
|
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Humanflood
|
Pentti Linkola / Introduction by Michael Moynihan
|
||
Ship of Fools
|
Source: Unknown or Deleted
More Info:
Amazon
feralhouse
Wikipedia
Marcadores:
Adam Parfey,
apocalypse culture II,
apocalypticism,
conspiracies,
feral house,
irrationalism,
occulture
Subscrever:
Mensagens (Atom)
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